StillPaisleyCat

Here are the Mastodon posts directly from @GoodAaron@mastodon.social.

He also confirms that the DVD release of the back half of season one, with special features is going forward for September.

@GoodAaron@mastodon.social suggests there will be some new information on Prodigy tomorrow.

Is it possible that there may be some announcements at San Diego Comic Con?

Let’s keep boosting Prodigy positively.

For those who are willing to engage in change.org’s petitions (regrettably monetized), the Save Star Trek Prodigy petition is nearing 30k signatures, and could use the support to break the threshold during the SDCC weekend.

The Directors’ Guild of Ontario hotlist is a fairly reliable source for production guild news. Star Trek preproduction in the Greater Toronto Area usually shows up there before any official announcements of production dates.

Today’s hotlist update adds a rumour for a CBS Studios television movie to start production in October.

Is ‘Dovercourt’ the working pseudonym for S31 this round? Or is there some other made for streaming movie in the schedule for CBS Stages Mississauga? Only time will tell…

Prodigy EP Aaron Waltke is continuing to update on progress on his mastodon account.

“The world needs to see this.”

We’re with you @GoodAaron@mastodon.social.

For those who missed it, Prodigy picked up a Children and Family Emmy nomination for 2021-2022 Outstanding Animated Series.

Prodigy continues a strong trend in critical nods with a nod for best YA / Middle Grade novel with A Dangerous Trade by Cassandra Rose Clark.

Litverse favourite authors John Jackson Miller and David Mack are both nominated for best novel for SNW The High Country and TOS/Vanguard Harm’s Way, respectively.

While I picked up the Prodigy books, I haven’t read them yet.

I can agree with Trek Movie’s reviewer that Harm’s Way is one of the strongest licensed fiction offerings not just in 2022, but for some time. If you’re a Vanguard fan, this is a great interstitial offering, with the 1701 at the focal point rather than as a cameo in other mainline Vanguard stories.

Bruce Horak, who plays/ed Hemmer, is a visual artist as well as an an actor.

It seems his Save Star Trek Prodigy drawing isn’t the only Hemmer@home with little gorn(s) that are up on his Instagram.

Enjoy!

As Janeway would have it, temporal mechanics can make our heads hurt.

Several of us here are still wrapping our minds around the implications of SNW 2 x 3 Tomorrow and Tomorrow and Tomorrow for the Prime Universe timeline. The Romulan agent confirmed that key events in history have been resilient to temporal incursions, but their exact dates may change as time heals itself.

While this appears to warrant some deep dives on c/Daystrom Institute once we’ve had a bit of time to process this onscreen confirmation a bit more, I thought to look back to see what astrophysicist and Star Trek science consultant Dr Erin MacDonald has said previously on this point.

At the main link above, there is an episode of MacDonald’s Astrometric Episode Club where she reviews the temporal science of Voyager Relativity and DS9 Children of Time that appears on point.

There’s a few passing references to other time travel incidents along the way. These touch on the resilience of time, not least the causality loop in First Contact where the Borg incursion into the 21st century causes Enterprise to return and get Cochrane into space when needed even though the events weren’t quite as they were originally. The timeline is preserved in this essential key event no matter the details.

There’s also a report on Time Travel on StarTrek.com about an STLV 2019 presentation by Dr Erin MacDonald. (The piece itself was written by a professor of physics and astronomy.)

If the strategy was to get mainstream profile for SNW by including Jim Kirk as a recurring character, it seems to be working. Esquire has an interesting take on Wesley’s Kirk as a kind of ‘best of’ everyman captain.

Wesley’s version of Jim Kirk is a microcosm of the entire series. He is Kirk, sometimes from a different timeline, sometimes found just a few years before taking over the Enterprise, but don’t worry about it too much. He’s the guy you trust, because he believes in people when no one else will, and he’ll always do the right thing, even if nobody notices or remembers.

Personally, I’m coming round to Wesley’s Kirk (still a name combination I’d never expected to be using). Not sure I buy that “his performance reminds us that all of us could be Kirk if we wanted to be. Kirk isn’t a legend—he’s just a guy. A very competent and cool guy, but someone you’d want to hang out with all the same.” YMMV

Gizmodo’s James Whitbrook has yet more to vent on Paramount+‘s cancelation and erasure of Prodigy.

I hadn’t considered the cancelation from the perspective of systemic misogyny, which Whitbrook effectively is carating.

However, given that Janeway was surely chosen as the legacy captain for Prodigy because Voyager had proven itself to be an effective gateway for younger and new viewers on Netflix, Whitbrook’s inference Paramount views her less important to the franchise than Picard is biting.

Paramount wouldn’t dare treat what it’s done for Patrick Stewart and Jean-Luc Picard as a tax break. Casting aside everything that Prodigy stood for, and in the process doing the same to Mulgrew and Janeway’s legacy, is a cruel twist on what is already a cruel fate for the show.

Despite the impact of the WGA strike on promotional activities, and the lack of the boost of a major sports event trailer release, SNW placed well against other original streaming shows in the week ending June 16th. Opening in sixth place in the top ten with 33.4 times average demand is promising.

Hopefully way Prodigy’s cancelation and removal dominated the media and social media after the second week will not adversely impact SNW’s run too much.

Prodigy won the hearts and loyalty of a significant slice of adult Trek fandom.

But how about its target market of preteens?

It’s good to have some perspective.

My spouse felt commemoratively inspired and asked me to post.

(It’s the Eaglemoss Kelvin D-7. The peony petals just did their own thing.)