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Summary
Superman (David Corenswet) returns as a fully formed hero, dropping into an international crisis where his actions—like stopping a dangerous global conflict—spark both admiration and controversy. As he confronts Lex Luthor’s schemes and defends democratic values, Lois Lane (Rachel Brosnahan) investigates deeper political tensions. The film also features cameos from Guy Gardner (Nathan Fillion), Hawkgirl (Isabela Merced), Mister Terrific (Edi Gathegi), and Metamorpho (Anthony Carrigan), all leading up to a broader DC Universe introduction.

Director
James Gunn

Writer
James Gunn

Cast

  • David Corenswet as Clark Kent / Superman
  • Rachel Brosnahan as Lois Lane
  • Nicholas Hoult as Lex Luthor
  • Nathan Fillion as Guy Gardner / Green Lantern
  • Isabela Merced as Kendra Saunders / Hawkgirl
  • Edi Gathegi as Michael Holt / Mister Terrific
  • Anthony Carrigan as Rex Mason / Metamorpho
  • Skyler Gisondo as Jimmy Olsen
  • Sara Sampaio as Eve Teschmacher
  • María Gabriela de Faría as Angela Spica / The Engineer
  • Wendell Pierce as Perry White
  • Alan Tudyk, Pruitt Taylor Vince, Neva Howell, and others in supporting roles

Rotten Tomatoes: 83%

Metacritic: 68

VOD: Theaters

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submitted 1 day ago* (last edited 3 hours ago) by TheImpressiveX@piefed.social to c/movies@piefed.social
 
 
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I fucking LOVED it.

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Superman is having a big moment at the box office. Warner Bros and DC Studios’ latest superhero movie opened with $125 million, which is actually higher than what many people expected just a day before, according to Deadline.

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Well, I did it. Watched all of RoboCop 2 on VCD—on a CRT—outdoors, in my backyard.

Why? Not because it’s the “best” way to watch RoboCop 2. That would be a projector in a dark room. But I still own a Sony Trinitron and a Toshiba DVD player that’s backwards-compatible with VCDs. So when I found a copy in a thrift shop, I jumped at the chance to cosplay as a Tokyo salaryman in 1998.

VCD has always fascinated me. I remember seeing it demoed on a Philips CD-i—back when that was supposed to be the future. But I was a teenager, and there was no way I could convince my parents to spend $600 on something that looked like a toaster and played Burn:Cycle.

Probably for the best. The CD-i flopped in North America, and VCD barely made a dent. But in Asia? Massive success. So successful, you can still import brand-new titles. In 2025. For real.

Now let me be clear: on modern TVs, VCD looks awful. Low-res MPEG-1 video smeared across a 1080p screen is pain. But on a CRT? It works. You get sharper colour separation, no tape degradation, no tracking issues, and discs are far more heat- and humidity-resistant than tape ever was. I totally get why this format won out in hot climates.

That said, it has real flaws. Most movies come on two discs. You can see pixels—even on a CRT. And occasionally, compression artifacts float across the screen like ghosting shadows. VHS was blurrier, yes—but it was also more forgiving.

Still, let’s be honest: rewinding tapes was always a chore. VCD boots instantly. No hiss. No jammed reels. No chewed-up tape. Just press play.

So how was RoboCop 2 on VCD? Surprisingly great. The movie itself feels built for this exact experience: digital source, analog display. Grainy, loud, kind of ugly—but in a good way. Total time capsule energy.

Should you collect VCDs in 2025? Only if you’re like me and romanticize obsolete tech. If you hate pixels, compression artifacts, and pre-DVD formats, then no—run away. But if the idea of watching cyberpunk trash on a 4:3 CRT in your backyard sounds fun? Then yeah. Absolutely.

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