Martin Scorsese is urging filmmakers to save cinema, by doubling down on his call to fight comic book movie culture.
The storied filmmaker is revisiting the topic of comic book movies in a new profile for GQ. Despite facing intense blowback from filmmakers, actors and the public for the 2019 comments he made slamming the Marvel Cinematic Universe films — he called them theme parks rather than actual cinema — Scorsese isn’t shying away from the topic.
“The danger there is what it’s doing to our culture,” he told GQ. “Because there are going to be generations now that think ... that’s what movies are.”
GQ’s Zach Baron posited that what Scorsese was saying might already be true, and the “Killers of the Flower Moon” filmmaker agreed.
“They already think that. Which means that we have to then fight back stronger. And it’s got to come from the grassroots level. It’s gotta come from the filmmakers themselves,” Scorsese continued to the outlet. “And you’ll have, you know, the Safdie brothers, and you’ll have Chris Nolan, you know what I mean? And hit ’em from all sides. Hit ’em from all sides, and don’t give up. ... Go reinvent. Don’t complain about it. But it’s true, because we’ve got to save cinema.”
Scorsese referred to movies inspired by comic books as “manufactured content” rather than cinema.
“It’s almost like AI making a film,” he said. “And that doesn’t mean that you don’t have incredible directors and special effects people doing beautiful artwork. But what does it mean? What do these films, what will it give you?”
His forthcoming film, “Killers of the Flower Moon,” had been on Scorsese’s wish list for several years; it’s based on David Grann’s 2017 nonfiction book of the same name. He called the story “a sober look at who we are as a culture.”
The film tells the true story of the murders of Osage Nation members by white settlers in the 1920s. DiCaprio originally was attached to play FBI investigator Tom White, who was sent to the Osage Nation within Oklahoma to probe the killings. The script, however, underwent a significant rewrite.
“After a certain point,” the filmmaker told Time, “I realized I was making a movie about all the white guys.”
The dramatic focus shifted from White’s investigation to the Osage and the circumstances that led to them being systematically killed with no consequences.
The character of White now is played by Jesse Plemons in a supporting role. DiCaprio stars as the husband of a Native American woman, Mollie Kyle (Lily Gladstone), an oil-rich Osage woman, and member of a conspiracy to kill her loved ones in an effort to steal her family fortune.
Scorsese worked closely with Osage Principal Chief Geoffrey Standing Bear and his office from the beginning of production, consulting producer Chad Renfro told Time. On the first day of shooting, the Oscar-winning filmmaker had an elder of the nation come to set to say a prayer for the cast and crew.
It's been that way for a loooong time.
Movies became so expensive to produce that studios can't finance them themselves.
So they turned to the banks.
Banks are by nature risk averse.
So a production company has to submit an application to their bank's movie financing department like you would when applying for a home loan.
The bank decides whether to finance the movie based on the information submitted: Script, subject matter, director, which stars have committed to the project, etc.
Now if you imagine, people from the banking industry are not artists and creatives and visionaries. They just look at raw investment potential, i.e. Is this proposed production going to pay off the loan with interest?
If there's any risk, e.g. this has never been done before, or there's no recognizable franchise branding, or if something could be controversial in a meaningful way, the bank won't approve the production loan.
So sequels, brand name franchises, with writing committees, are easier to get approvals from the banks, therefore are more likely to make it into production.
That's why Hollywood doesn't make daring, experimental, and controversial movies much anymore.
and that will end too. look how Disney is giving so many flops. Especially the Marvel division. comic book fatigue has already started
If marvel stopped after endgame it would have still arguably been art. Movies have always been a cash grab to some extent, but at least those movies were inspired.
I don't think Scorsese is wrong necessarily, but there're a lot of old man yells at cloud vibes happening. He still makes movies he wants but he's butthurt he doesn't get the accolades he did in his heyday?
People's tastes ebb and flow and this will "correct" eventually. I mean, punk rock happened because rock and disco got so overwrought and bland in the 70s. Cinema will evolve but I'm willing to bet it'll be into something Scorsese hates before noir esque gangster films are de rigeur again
'Cinema' as Scorsese knows it probably really is dead. When people go to a movie theater they typically want spectacle to justify the price tag.
I'm all in favor of thought provoking artistic original movies that challenge my perspective but I rarely decide to chance a trip to the theater for that sort of film.
Lmao I had comic book movie fatigue back in 2004, and quit watching movies entirely in 2009, after watching one too many remakes
movie fatigue is real. soon movies will collapse and we can finally go back to the golden age of plays
I still enjoy comic book movies when they're good. The problem is they're trying too hard to make all the characters quippy and that gets old. Not everyone needs to be Spider-Man. You can still make serious movies about comic book stories. The worst one I saw was Ragnarok. I didn't bother with love and thunder but heard it was even worse.
Love and thunder was Thor trying to do the Ragnarok thing and it not landing. It was very very not good