this post was submitted on 07 Aug 2023
37 points (100.0% liked)

Daystrom Institute

3448 readers
10 users here now

Welcome to Daystrom Institute!

Serious, in-depth discussion about Star Trek from both in-universe and real world perspectives.

Read more about how to comment at Daystrom.

Rules

1. Explain your reasoning

All threads and comments submitted to the Daystrom Institute must contain an explanation of the reasoning put forth.

2. No whinging, jokes, memes, and other shallow content.

This entire community has a “serious tag” on it. Shitposts are encouraged in Risa.

3. Be diplomatic.

Participate in a courteous, objective, and open-minded fashion. Be nice to other posters and the people who make Star Trek. Disagree respectfully and don’t gatekeep.

4. Assume good faith.

Assume good faith. Give other posters the benefit of the doubt, but report them if you genuinely believe they are trolling. Don’t whine about “politics.”

5. Tag spoilers.

Historically Daystrom has not had a spoiler policy, so you may encounter untagged spoilers here. Ultimately, avoiding online discussion until you are caught up is the only certain way to avoid spoilers.

6. Stay on-topic.

Threads must discuss Star Trek. Comments must discuss the topic raised in the original post.

Episode Guides

The /r/DaystromInstitute wiki held a number of popular Star Trek watch guides. We have rehosted them here:

founded 1 year ago
MODERATORS
 

This is the Daystrom Institute Episode Analysis thread for Strange New Worlds 2x09 Subspace Rhapsody.

Now that we’ve had a few days to digest the content of the latest episode, this thread is a place to dig a little deeper.

you are viewing a single comment's thread
view the rest of the comments
[–] croxis@kbin.social 9 points 1 year ago (1 children)

I don't know a lot about musicals, but it felt like each song was referencing a musical sub genera. Nurse Chapel's song seem to reference something jazzy like Chicago, another song sound like it would of fit into the 60s Marry Poppins/Sound of Music.

[–] khaosworks@startrek.website 11 points 1 year ago (1 children)

Most of the songs are in a modern Broadway poppish sounding Pasek & Paul vein (La La Land, The Greatest Showman, Dear Evan Hansen) with the exception of Una and Kirk’s “Connect to Your Crew”, which is more old school. Maybe they were going for a Gilbert & Sullivan vibe, but it’s closer to Rodgers & Hammerstein in The King and I and The Sound of Music, musically.

[–] croxis@kbin.social 3 points 1 year ago

Cool! Its nice to know my ear isn't that bad!