this post was submitted on 15 Jun 2025
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writing

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About plot twists (lemmy.dbzer0.com)
submitted 1 day ago* (last edited 1 day ago) by darkguyman@lemmy.dbzer0.com to c/writing@hexbear.net
 

I've a researched a bit about writing plot twists properly. The conclusion I came to was simply: Twists shouldn't be too predictable but they shouldn't be completely random either. There was also this method a writer used which was simply: 20% of the audience should figure out the twist LONG before it's revealed and about 80% of the audience should figure it out JUST before it's revealed. These are all great advice but I'm struggling to apply them properly. Thing is: I often have a hard time thinking from the audience's POV. I'm not struggling with writing twists themselves but rather the foreshadowing/hints. I'm curious, how do you all incorporate your hints into the story? How many hints are there? How do you exactly employ hints, via dialogue? Via a character's actions? Via small visual details? Do you employ hints in only one way or several? Simply put, I'm trying to ask the following: How do you all put hints/foreshadowing of a plot twist into the story?

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[–] Chertstone@hexbear.net 1 points 1 day ago

A lot of stories especially modern movies have/had twist that clearly arent written with the "twist" in mind. Gambo was especially a bad trendsetter with the twist for the twist sakes. Arcane S2 also had this issue when the writers thought it would be deep to have a meta-twist "what if y actually became the diametrically opposed z". The red wedding in the books was very obvious in hindsight but since it went against western cultural tropes - it was shocking, especially since protags acting "dumb" is rarely punished in fiction.