this post was submitted on 05 Sep 2023
184 points (97.4% liked)
Asklemmy
43945 readers
660 users here now
A loosely moderated place to ask open-ended questions
Search asklemmy π
If your post meets the following criteria, it's welcome here!
- Open-ended question
- Not offensive: at this point, we do not have the bandwidth to moderate overtly political discussions. Assume best intent and be excellent to each other.
- Not regarding using or support for Lemmy: context, see the list of support communities and tools for finding communities below
- Not ad nauseam inducing: please make sure it is a question that would be new to most members
- An actual topic of discussion
Looking for support?
Looking for a community?
- Lemmyverse: community search
- sub.rehab: maps old subreddits to fediverse options, marks official as such
- !lemmy411@lemmy.ca: a community for finding communities
~Icon~ ~by~ ~@Double_A@discuss.tchncs.de~
founded 5 years ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
Heinlein was horrified by Soviet Communism (and he'd traveled in the Soviet Union). He believed the US nuclear program (and space program) were a necessary protection against people like Stalin and Mao taking over the world.
There's a running theme in a number of his works, of people trying to find a society and a place in it where they can live safely, where they won't be oppressed for disagreeing with that society. It shows up in Stranger in a Strange Land, in "If This Goes Onβ", in the Lazarus Long stories, etc.
I think Heinlein's militarist liberal Americanism was contextual: he saw America as a place where a weirdo like him had a chance to live in peace, and that made it worth defending.