this post was submitted on 12 Sep 2023
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One way to think of this is that the players and the GM are all trying to tell a story together, and dice rolls exist to resolve conflicts between the stories they're trying to tell. Or if you prefer, conflicts between their stories and a world that has other ideas.
Normally the player wants something to happen, and the GM calls for a a die roll, the GM is represents the world opposing that event... and that's one of the many roles they fulfill at the table. However if the GM and the players all agree that the story should go the same way, you don't need to roll a die at all. That means if the player thinks they made a persuasive argument, and the GM believes the NPC should be convinced by it, then the GM doesn't have to say "roll persuasion" they can just say "yes that works"
Perhaps a better example - you don't always need to make a player roll to find traps when they're looking, especially if their score is much higher than the DC - you can just say "while investigating, you find this trap". Maybe your story is more interesting because the trap is ingenious and needs something clever to disarm it, maybe it can't be disarmed, and triggering it is a choice they have to make or go another way. Maybe the existence of the trap is only there to provide context or detail to the group, and it's not intended to be a threat.
This goes for attacks too. Almost all of the time, the players will have less fun if they know the world is pulling its punches, because they'll know there's no risk and they'll always win - it's not fun or satisfying to beat a challenge that was rigged in your favour after all.
But... if the GM knows for sure that everyone will be miserable if (x character) dies, and they think it will make the game or the story worse, they can just roll a die behind the screen and not look at it, then say "oh it missed" just... don't do it every time.
The whole fun of D&D is that nobody knows what the story will be until it plays out. Players don't know what the DM has planned, and the DM doesn't know how the players will react. And neither of them know what the dice will say.
On the one hand (again), I agree that you don't always need to roll. A 29 passive perception will let you see everything from traps to shat pants, and I'll just skip the perception rolls to move things along.
On the other hand, I don't want to base my decisions on player actions (good arguments) rather than character actions. Sure, it's a good lie, but you have a -2 to deception rolls. If I ignore that, then the dude with a +12 might as well have not bothered building a character.
On the third hand, I struggle as a DM with not holding back. I'm TOO nice. I don't want your character to die either. But if the story is going to have weight and your actions have meaning, that means bad things must be possible. If letting a hero live would feel cheap, it may be worth more to let them die. Plus, memorials and funerals are great RP.
I should make it clear, I'm at no point advocating for planning how the story will play out in advance - there's no point in playing the game if the story is completely pre-planned. Personally I think if you want to tell a completely planned story "writing" is a great outlet for this! I'm saying that, if in the moment, you get the feeling that the fun of the table is at stake, it can be worth a fudge.
For me, the most common "fudge" is if I'm running an official module with a random tables, especially encounter tables. I'll usually start by rolling on it, but if I see an option near my result that I think makes a better story in the moment, I'll swap over to it. If there's a cool thing I want the players to see, I'll try and make sure they get to see it over yet another encounter with 2 gargoyles at level 12. (I'm thinking of a real 5e module here!)
There's a bit of a sticking point with the argument "if you ignore the stats, the dude with the +12 might as well have not bothered building a character at all!" - because "if you ignore what the characters say, then the dude who came up with the brilliant argument might as well have not bothered roleplaying." - It's the same kind of argument, and I'm not advocating for either in the general sense. I'm saying "play it by ear". If in the moment you feel that this argument should convince the guard, regardless of the skill of the liar - don't roll the dice. That doesn't mean "don't ever roll the dice" it means that sometimes when you think it fits the story you're telling and the mood of the players at the table, you should just say "okay yes, that works!" Dice rolling is for when there are multiple credible outcomes to a situation, and you want to pick between them with chance.
Many DM's instinctively feel that a player who is creative and who concocts a brilliant believable lie should get some sort of "reward" over a player who just says "I've got a +15 to deception, so I'm just gonna invent a lie that convinces him we're innocent" and rolls. Or as another example, if two characters have +5 to deception, and one tells a great lie while the other tells an unbelievable one, people often feel that the good lie should stand a better chance to work - because that's how it works in stories.
Good roleplay is, of course, always its own reward, but the story feels more immersive if good arguments and good lies "work better" than bad ones in similar circumstances.
If you're the kind of DM who wants stuff like this to matter, but you don't want to just give the players a "free win" you can always implement a "situational bonus" to checks - some DMs will say "I'm going to give you +5 to this deception check because that was an excellent lie" - some DMs might say "Convincing the guard of that like is easier than convincing him of this lie, so the DC is lower" and some might say "that's a really believable lie, so I'm giving you advantage" or "the guard is really inclined to believe this story, so I'm giving him disadvantage on insight" - all of these can let you make sure that good roleplay feels effective in the story. The core books do talk about situational bonuses as something you should consider for checks in general, and they often recommend advantage or disadvantage as the approach. My preferred method is to adjust the DC for a check, or if it's opposed, provide a small advantage or penalty.
As always, everyone should run their table how they want. I'm just talking options. The "right" answer to a question like this is "whatever your table enjoys most", and the "wrong" answer is to stick with a style nobody at your table likes (and the books offer several approaches to these problems, so there isn't a defined "right answer" by the strict reading of the books)
It really is conflict between players and the GM, usually. A player succeeding every single roll in an encounter represents a total success for the player. A player failing every single roll in an encounter does not typically represent a total success for the GM, because the GM usually wants the player to be able to succeed. It's much more conflict between the player and world in the vast majority of cases unless either the GM or the player is a shithead and are making the meta-level relationship needlessly adversarial.
That is one perspective that works for some people but I strongly disagree.
Dice rolls exist to resolve conflicts between the player and DM stories, yes...but they also exist to create new and interesting situations which neither player nor DM would have chosen.
Yes, the dice can create unsatisfying moments and even end characters or entire parties in a way that doesn't feel great. But for each time they have done so in my experience, they have created far more awesome moments, simply by following the rules. And without allowing the unsatisfying ones, the good ones don't really happen either, and don't feel as satisfying.
This example is what I think of as "a world that has other ideas"
The DM (and players) build the world, but when they do so, the world will have elements that push for certain outcomes by themselves. The DM might choose for story A to happen, and the players might choose for story B to happen, but the elements in the world have defined motivations too, and might push for story C to happen. Often story C is the most exciting thing, because nobody is following a script.