Men's Liberation
This community is first and foremost a feminist community for men and masc people, but it is also a place to talk about men’s issues with a particular focus on intersectionality.
Rules
Everybody is welcome, but this is primarily a space for men and masc people
Non-masculine perspectives are incredibly important in making sure that the lived experiences of others are present in discussions on masculinity, but please remember that this is a space to discuss issues pertaining to men and masc individuals. Be kind, open-minded, and take care that you aren't talking over men expressing their own lived experiences.
Be productive
Be proactive in forming a productive discussion. Constructive criticism of our community is fine, but if you mainly criticize feminism or other people's efforts to solve gender issues, your post/comment will be removed.
Keep the following guidelines in mind when posting:
- Build upon the OP
- Discuss concepts rather than semantics
- No low effort comments
- No personal attacks
Assume good faith
Do not call other submitters' personal experiences into question.
No bigotry
Slurs, hate speech, and negative stereotyping towards marginalized groups will not be tolerated.
No brigading
Do not participate if you have been linked to this discussion from elsewhere. Similarly, links to elsewhere on the threadiverse must promote constructive discussion of men’s issues.
Recommended Reading
- The Will To Change: Men, Masculinity, And Love by bell hooks
- Politics of Masculinities: Men in Movements by Michael Messner
Related Communities
!feminism@beehaw.org
!askmen@lemmy.world
!mensmentalhealth@lemmy.world
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This is the best summary I could come up with:
David Fincher’s violent satire was once one of the most controversial films of the 1990s; thanks to the 2019 Fox-Disney merger, the film – and its stomach-churning scenes of middle-class men pulverising one another in squalid basements – is sat right there between Mickey Mouse and The Little Mermaid.
There’s Edward Norton’s narrator, an emasculated insomniac who starts the film gatecrashing group therapy meetings and ends it as a brawling terrorist.
There’s Durden (Brad Pitt), the charismatic jock who goads Norton out of his rut and forms a cult.
It is hardly surprising that the film (and the Chuck Palahniuk novel from which it was adapted) has been linked to some of the most extreme white male behaviour: Fight Club is said to have inspired neo-Nazi fight clubs, incel culture and the excesses of the “alt right”.
While most agree that Fincher’s cult movie is satirising toxic masculinity, some viewers mistook it for endorsement.
“The movie has become part of the contemporary mass-cultural canon through which large numbers of men try to think through masculinity,” wrote the New Yorker.
The original article contains 269 words, the summary contains 179 words. Saved 33%. I'm a bot and I'm open source!