this post was submitted on 17 Mar 2024
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Mildly Infuriating
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Part 4
Conclusions
Well what can I say, once again incredulity was stretched and smashed once again. These items as I said in the last review should make no difference what so ever to any piece of audio equipment they sit on but they do, and once again I am lost as to how or why.
Being frank while I can’t explain this, I have reconciled myself to the reality that they do make a difference as the Vibradome Blue Star did before and based on Audiophile Rocks money back 90 day try in your own system guarantee I think at the very least that sceptics and the curious should give them ago. Of course there will be those who pour scorn on these products, my once again positive review, and Audiophile Rocks in general, but they won’t have tried them and therefore their opinion is somewhat worthless, in my view. Maybe they too should try them and then have an informed opinion to offer and possibly end up using them in their system as I am.
If you want an easy, or less controversial entry point into Audiophile Rocks product portfolio then give the Noise Terminator ago first and then try the other ‘tweaks’ at a later date, but being frank surely anything that improves music reproduction in your system, regardless, should be welcomed and the music enjoyed anew.
Recommended
Neil
(1) Wiki entry relating Piezoelectricity – https://en.wikipedia.org/wiki/Piezoelectricity#Synthetic_crystals
Source of Review Items – Original Manufacturer
Audiophile Rocks – http://audiophile.rocks/index.html
Contact – Office address:
Kamilla Liljegren
Lysviksgatan 42
12342 Farsta
Sweden
Email – info@audiophile.rocks
Organization number: 9201264307
VAT number: SE 92012643070
Review Products:
Rockwood V6 – £60
Glo – £60
Volcano – £60
Blackhole – £60
Noise Terminator – £30
© Text and Photos Copyright 2018 Adventures in High Fidelity Audio. Except album sleeves/manufacturers images. Copyright resides with those owners.
NB No part or portion of this article may be reproduced or quoted without written permission.
All of this is cuckoo. I don't know what it is about the audiophile market that makes it full of stuff like this. Them calling it "proprietary", being vage about "minerals and fluids" involved and assuring us that their techniques "took years to develop", is red flag language that i've heard over and over again.
Also this article is written like crap.
Maybe audiophiles are kinda gullible and they prey on them.
I am sorry, I was pretty high while writing it
Always makes me upset that audiophile snakeoil is always so expensive. I like the idea of having odd little trinkets to plop around my stuff, but $75 is way too much for a tiny goofy volcano, no matter how well it's made.