this post was submitted on 09 Aug 2023
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No Stupid Questions

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Season 1s are great, setup, some payoff, a bit of lead into the overarching story. Then season 2 to X. The heroes win and then lose in the final episode, cliffhanger to next season. People get bored. Final season is announced and they wrap up the show.

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[–] WarmSoda@lemm.ee 3 points 1 year ago

A good show will treat each season as a new story within the over all series, with 3 acts in a season.

[–] HobbitFoot@thelemmy.club 3 points 1 year ago (1 children)

It depends on the show.

In some cases, shows are written to be anthologies of stories. The characters stay similar across episodes and seasons, but the isn't really an overarching plot. Sitcoms are known to use this a lot. Plot across episodes is mainly done to give writers something new to write.

In other cases, several plot lines are happening at once which resolve at different times. That way, there is always a plot having something happening even if other plots end or hit a resting point. A lot of soap operas did this.

Finally, there can be one overarching plot that gets resolved, but then another plot starts to take its place or the show ends. A lot of modern science fiction is written that way.

[–] Blakerboy777@kbin.social 1 points 1 year ago (1 children)

@HobbitFoot

@delitomatoes Many sitcoms have an overarching romance arc between two leads that gets stretched out for eternity. I don't know how much I can vouch for "The Office" handling other storylines, but the getting Pam and Jim together 1/3rd of the way through the series, and then not having them constantly breaking up and dating other people and then getting back together (like Friends) was a real breath of fresh air. The show really proved they could survive as an anthology without having the main romantic arc to fall back on. Of course, later on they introduce serious romantic arcs for other characters.

[–] HobbitFoot@thelemmy.club 2 points 1 year ago

I don't look at it like an overarching plot so much as anthology. Character A and Character B have chemistry and should be together but it doesn't happen. It just happens that there are several stories that involve that failure.

[–] stonedonkey@lemmy.world 2 points 1 year ago (1 children)

I always found East Bound and Down jarring in some respects, the jump from the US, to Mexico, to Myrtle beach at the time felt all over the place, but in retrospect it gave every season of the show a different world to play in. I rewatched it during Covid and really enjoyed it moving around and even though some people like different venues for the show as a whole I feel it made the shower stronger.

[–] _haha_oh_wow_@sh.itjust.works 1 points 1 year ago (1 children)

Is that the mullet baseball guy? I didn't realize there was more than one season of that!

[–] negativeyoda@lemmy.world 3 points 1 year ago (1 children)

Friend, you are in for a treat

[–] _haha_oh_wow_@sh.itjust.works 1 points 1 year ago

Awesome, I could use one.

[–] beefbaby182@lemmy.thesanewriter.com 2 points 1 year ago (1 children)

A lot of shows tend to lose steam around seasons four and five or so. Actors and actresses come and go and writers struggle to find new ideas so storylines get recycled and repackaged. Breaking Bad handled this perfectly by willing ending after 5 seasons.

[–] Blakerboy777@kbin.social 2 points 1 year ago

@beefbaby182

@delitomatoes

It sucks when a show is spinning it's wheels and a significant actor moves on to greener pastures, but you get it. It really sucks when a show rockets off and actors leave because the show has made them into a star who get offered bigger projects to capitalize on their fame. Mucking things up for the thing that made you famous is such BS.

[–] ScrivenerX@lemm.ee 1 points 1 year ago

I'm confused by your question.

Is your objection cliffhanger endings? Those are more common in American media. Or is it lack of plot progression, which is common across all media? Even shows famous for moving the plot forward never stray too far from the start.

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