4

Youtube link, because Invidious is a bit flaky right now.

The album came out a year ago, but even though they are from the city I live in (Melbourne), I just discovered them today. I like the sound of this track and have queued the rest of the album to have a listen to.

Here's what a review I read said about them:

Frankston's The Belair Lip Bombs deliver their genuinely unique brand of left-field indie rock with complete poise.

At one moment you'll hear shades of Interpol and The Smiths, at others they hint at PJ Harvey and Best Coast. Ultimately, the band's infectious take on a well-traversed genre is their own.

They will have truly cross-generational appeal, giving their younger peers the kind of guitar-driven indie rock many of them crave, and offering older fans something fresh that still taps into something a little nostalgic.

They're honestly a band too difficult to describe, but one that indie rock fans must be across. They've already signed to Jack White's Third Man Records, so now is the time to get on board.

[-] Aesecakes@lemmy.world 2 points 1 week ago

I just got around to listening to this. I like it. Thanks!

37
90s music magazines (lemmy.world)
submitted 1 week ago* (last edited 1 week ago) by Aesecakes@lemmy.world to c/alternativenation@lemmy.world

I still have a few music mags from the 1990s on my shelf.

Juice (Australia), Lime Lizard (UK), Vox (UK), Rolling Stone (Australia), Puncture (USA)

What music magazines did/do you buy?

Alt text for image:

This image shows a collection of 1990s alternative music and culture magazines spread out on a wooden surface. The magazines include multiple issues of "Lime Lizard," "Vox," "Juice," and others like "Puncture" and "Rolling Stone." The covers feature various musicians and bands popular in the alternative and grunge scenes of the era, with bold typography and striking portrait photography. The overall aesthetic is very characteristic of 90s rock and alternative culture, with a mix of colorful and monochrome designs. This collection provides a nostalgic glimpse into the music journalism and visual style of that period. Michael Hutchence (INXS), Nick Cave, Harriet Wheeler (The Sundays), Hole, Lush, Whitney Houston, Carter USM, The Shamen, Kristin Hersh and Angie Hart (Frente!).

[-] Aesecakes@lemmy.world 3 points 2 weeks ago

Holy crap. You are not wrong when you say it's graphic, OP. I just had a listen to a couple of Hana Vu tracks and have put her latest album in my listen queue.

4

I have just stumbled across this band.

9
submitted 2 weeks ago* (last edited 3 days ago) by Aesecakes@lemmy.world to c/alternativenation@lemmy.world

I just found out that the band have reformed.

[-] Aesecakes@lemmy.world 2 points 2 weeks ago
11

This song got played a heap on the office stereo where I worked, at the time.

3

Catchy tune from this Sydney band!

7

I saw JH and her band when she toured the album Only Everything. Arguably, when she at the height of her powers. Good TV performance of Universal Heart-Beat, this.

10

7

From the debut album The Troubles And Trevails Of Orphan Mae.

4
submitted 2 weeks ago* (last edited 2 weeks ago) by Aesecakes@lemmy.world to c/alternativenation@lemmy.world

A while back, I posted a song from The Spinanes’ debut, 1993 album.

Kid In Candy is the lead track from their third and final album from 1998. I like it.

[-] Aesecakes@lemmy.world 2 points 2 weeks ago
4

This is the original version of the song covered by The Breeders on Last Splash, a few years later. Carrie from Ed's later toured with The Breeders for some time.

https://en.wikipedia.org/wiki/Ed%27s_Redeeming_Qualities

[-] Aesecakes@lemmy.world 2 points 2 weeks ago

Good find. Another artist you and I agree on!

2

This short-lived Flying Nun Records band was led by "the punk rock self-belief" of Shayne Carter, who went on to play and release music as part of Doublehappys, Straitjacket Fits, Dimmer, The Adults (a Kiwi supergroup), with NZ post-punk luminary, Peter Jefferies and solo as Shayne P. Carter.

I like the youthful energy of the song, even though it sounds like it was recorded in a burlap sack!

This is the full run down about the EP that this track is from. It was re-issued for Record Store Day, a few years ago.

[-] Aesecakes@lemmy.world 1 points 2 weeks ago

Good point. Seems like the music in the vid is about 18 secs quicker than on the record itself. I wonder why? I didn't know about that remixed released…sounds good.

[-] Aesecakes@lemmy.world 1 points 2 weeks ago

Who's on bass now? I recall seeing that Paz got the boot.

[-] Aesecakes@lemmy.world 2 points 2 weeks ago

I wonder if she likes them now? I say this because, I'm sure it's a thing that people who used to think you/I were weird back then, will nowadays swear blind that they liked that stuff the whole time and that there was never a time they didn't like it. In a slightly Orwellian way.

[-] Aesecakes@lemmy.world 2 points 2 weeks ago

Once again, @perishthethought@lemm.ee's Venn diagram of music taste, overlaps with mine!

[-] Aesecakes@lemmy.world 1 points 2 weeks ago

The NME said at the time of its release…

Aztec Camera, the Housemartins, the Smiths and the La's – all very special groups, and now you can listen to them all at once! Perfect. Crystalline. Divine. Confident...

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Aesecakes

joined 1 year ago