Long shot but I hope someone might know. The channel hosts parodies of superheroes and superhero tropes through the medium of motion comics and is characterized by its dry humor and sarcasm, reminiscent of the channel “How it Should Have Ended.” Videos often involved a competent woman parody of Superman acting alongside their equivalent of the justice league.

The channel, despite not broadly advertising this fact, hosts exclusively English translations of their main channel’s videos. (Original channel may be in Portuguese, Spanish, another language common in south America?) While the English translation channel might have stopped posting ~7 years ago, the main channel would have continued posting content for a year or more.

Really, I’m looking for a specific video wherein a spy (possibly a parody of black widow but I can’t recall) is looking to complete their mission while their operator ceaselessly suggests additional members for their team, lampshading the “spy by accident” genre with ever more absurd assertions and justifications for the spy to reject. It takes place in a fancy dining room setting. One suggestion is a chimpanzee and another is a waiter, referencing Jackie Chan in Tuxedo. It was a surprisingly complete deconstruction and I’d love to reference it.

Secondarily, should the fan be outside or inside the window?

Asking for a friend. (Me, help. I can’t remember physics, it’s too goddamn hot)

Edit: I’ve opened all the windows and set up a fan a short distance from the window pointing out and it’s reduced the temperature to near-tolerable levels. Unfortunately, venting through the attic was a no-go but moving things aside might make it an option next time. Thank you all, I appreciate the help!

[panel 1: A small, bespectacled man sitting at a table takes a bite of pancake. Their glass is filled with golden liquid, matching the color of the dog staring over the edge of their table. Their eyes lock.]

[panel 2: the dog’s tail shifts into overdrive and its eyes pleadingly grow to the size of saucers.]

[panel 3: the man grins and hoists a pancake above their canine companion. Its eyebrows arch and body quivers.]

[panel 4: the man releases the pancake and it stops with a soft plop atop the dog’s head.]

[panel 5: the dog searchingly turns toward the noise, pancake still resting between its eyes.]

[panel 6: the dog’s brows lift in grief as it turns right, continuing to helplessly investigate the mystery of the missing pancake.]

I rarely find myself taking a second look at a piece of clothing whose only notable quality is a properly applied shade or hue. The main draw in every piece of compelling apparel is its texture. Does it look sheer? Soft? Stiff? The emotion evoked by a slogan, illustration, or pattern is nearly always superseded or at least altered by apparent textural context. A bad Christmas long sleeve or a knitted “granny’s little cumstain” sweater would elicit vastly different reactions compared to their more conventional cousins.

All of that is to say that texture is the end-all for clothes. It is the medium through which your message is broadcasted. Tones and shapes are transient, texture is forever.

[panel 1: a cartoonishly drawn child wearing a pink t-shirt and black spandex shorts sits on a grassy hillside, nearly resting their back against the verdant scene. They put their weight on their elbow and pluck a flower from the grass with a smile.]

[panel 2: they lean over the flower and, whilst plucking petals, say “Loves me… Loves me not… Loves me… Loves me not…”

[panel 3: they point at the flower and focus their attention further.]

[panel 4: their finger wags at the petals as they enumerate and whisper “Loves me… Loves me not.]

[panel 5: they sit up and glance about to see if anyone is watching]

[panel 6: they simultaneously tear off two leaves and say “Loves me…”]

[panel 7: the flower shouts at the now sobbing child, “HEY, HEY, HEY. NO CHEATING! YOU ALREADY KNOW YOU’RE NOT LOVED!”]

[panel 1: a large dodo approaches a clean, well dressed vagrant youth sat beside a well fashioned wood and stone building. The youth warily guards a bag holding their belongings and the stick they use to travel with it. The dodo asks “Pardon me, do you have the time?” and the youth replies “yes, it’s -“]

[panel 2: the dodo exclaims “You have the time!”]

[panel 3: a quartet of dodos appear and excitedly chatter over one another: “He has the time.” “The time! he has it!” “At long last! Our desperate search is at an end! The time has been found!”]

[panel 4: they lean in amongst one another and whisper “PSSHHWSSSSPTT SSHSSHHPSSTT”]

[panel 5: the group approaches the youth and asks “Will you… give us the time?” And the youth replies “It’s nine fifteen.” The dodos exclaim “AAAAAHHH! NOW WE HAVE THE TIME!”]

Wondermark by David Malki