USSBurritoTruck

Oh, c’mon, why do you have to do Frakes so dirty like that?

I don't know what you mean, I think Frakes did a great job directing those episodes.

• ”Have you noticed their references are weirdly specific?” Number One is also concerned about my going way over the character limit on this post.”

• Boimler power walks away after being startled by Number One. He claimed that power walking is more efficient in “Envoys”. Apparently Section 31 does it.

• Mariner tells Uhura that while she’s known for being a super-translating space adventurer in the future, part of that reputation is that she’s carefree. In episodes like “Charlie X” and “The Man Trap” we see Uhura singing in the recreation room, and flirting with Spock.

• Mariner performs the Picard Maneuver when standing up.

• On her PADD, Uhura is looking at examples of the Bajoran and Cardassian alphabets, which are labeled as such. This is the first indication that the Federation had made contact with either civilization prior to the TNG era.

     • There is a comatose Cardassian being held by the automated shipyard in “Dead Stop”, but no one actually really sees him.

• Starbase Earhart was first mentioned in “The Samaritan Snare” when Captain Picard tells Wesley the story of his being stabbed through the heart by a Nausican, and we first see the base in “Tapestry” when Q sends Picard’s consciousness back through time to that event.

     • “Tapestry” is also the first mention of dom-jot.

     • Mariner describes dom-jot as “A billiards game that Nausicans are terrible at, but love to bet on for some reason.” We see Mariner playing dom-jot against Nausicans at Starbase Earhart in “We’ll Always Have Tom Paris”.

• Pelia and Boimler share a moment staring at the warp core. Boimler has a long established history of being a fan of warp cores, going back to his first episode, “Second Contact”.

• Pelia’s quote, “I always pretended to be someone I wanted to be, until finally I became that someone…or he became me,”* is paraphrasing Cary Grant.

• ”Don’t yell Q, they haven’t met him yet.” Q first reveals himself in “Encounter at Farpoint”

     • ”They had kind of a Trelene thing going on.” Trelene appears in “The Squire of Gothos” and, so far no where else.

• The Enterprise crew starts expressing enthusiasm for the past, specifically the NX-01.

     • Pike mentions that he would be excited to set foot on Archer’s Enterprise. In “These Are the Voyages…” we learn that he is the one who wrote the parameters for a popular holo-simulation where the user plays the role of the NX-01’s chef.

     • La’an says she loves grapplers, which first appeared in the ENT premiere, “Broken Bow”.

     • Ortegas claims, ”I’m a huge fan of Travis Mayweather. First pilot of the NX-01*.” Presumably there had to be at least one.

     • Uhura mentions Hoshi Sato having spoken 86 languages. In “Two Days and Two Nights” it’s established that Hoshi learned 38 languages before having left Earth, and that she knows ”about 40” as of that episode.

• I believe this is the first time the Fleet Museum is referred to as the Starfleet History Museum, but both locations have the NX-01, as per “The Bounty”.

• We learn that Number One is featured on a Starfleet recruitment poster, including the words “Ad Astra per Aspera” which was the motto of the United Earth Starfleet and, we learn, of personal importance to Number one in the episode “Ad Astra per Aspera”.

     • The poster featuring Number One was not seen among the recruitment material Mariner and Boimler took when they set up their booth on Tulgana IV in “Reflections”.

• It was established that Tendi is the Mistress of the Winter Constellations in “We’ll Always Have Tom Paris”.

• It’s Jack Ransom! From Star Trek! Ransom is voiced by Jerry O’Connell.

• “Oh, Numero Una, hottest first officer in Starfleet history.” Rebecca Romijn and Jerry O’Connell are married.

• Drinking the Orion delaq causes the Enterprise crew to experience visual hallucinations similar to what Mariner, and Boimler went through after being exposed to nitrous oxide in “Room for Growth”. Tendi was immune.

This would be perfectly appropriate to post in Quark’s but is a bit too off topic for this board. Thanks!

Because Star Trek is very serious business. Every episode is a deep philosophical treatise on the nature of humanity and our place in the galaxy. You know, like “A Piece of the Action”, or “Take Me Out to the Holosuite”, or “Bride of Chaotica”.

How is a musical episode supposed to measure up to that lineage?

I'm still salty about them killing off Jadzia.

Yeah, you get it!

Hearing Jack Quaid’s distinctive Boimler scream gives me life.

However, between work and my social life, there is not much time left to write these posts without losing sleep, so while getting an extra episode is cool, it also feels as much like a personal attack as the season one stardates.

I will attempt to have “Those Old Scientists” done by Saturday morning, and this week’s episode by Monday.

Not to mention the augment virus does not account for why the Excalbian recreation of Kahless in “The Savage Curtain” was still a TOS era Klingon.

It really is the most flimsy plot and, as you say, completely unnecessary.

Do people not like “Ferengi Love Songs”?

I very much enjoyed that in season one, each Klingon house had their own uniform, and customs. In the TNG era there is a uniformity to the Klingons, which flattens them to monoculture. Even the simple touches of having House Mo’Kai engage in facial scarification, or House Kor wear war paint implies an expansion to their culture that makes me far more interested in them.

Also, I’ve always enjoyed the scheming Klingons, like the ones we see in TOS, or the Duras Sisters, so Kol really appealed to me as an antagonist.

The new prosthetic seemed like a natural progression of what we saw from TOS, to TMP, to “The Search for Spock” and TNG. I do think the decision to make them all bald in season one was a miss, but it’s otherwise a good design that effectively communicates the ferocity the species is supposed to have.

I wonder if they wanted them to all be bald if it wouldn’t have made more sense to have T’Kuvma’s followers be bald, and the others that arrive after he lights the beacon engage in tonsure once T’Kuvma becomes a martyr.

Oh, and the elongated craniums on the women was also an odd choice that I’m glad was walked back for season two.

The timeline fluidity is a bit of a frustration for me as well, despite the fact that I've been reading comic books for 30 years, and it doesn't bother me a whit when I see a flashback to Spider-Man's origin and people have smart phones or whatever. But even trying to reconcile Spock claim in "Space Seed" that the last of Earth's World Wars took place in the 90s, with the implication in "Encounter at Farpoint" that a war was fought with atomic weapons leading up to the mid-21st century.

Part of the problem, obviously, is that they every decided to give anything actual dates. I understand the inclination though; no doubt in 1967 when they were sitting down first build out this world, they wanted to present the idea of WWIII to be looming on the horizon. A lot of the people viewing this when it aired episode would remember being shown videos telling school children to duck under their desks for protection in case of a nuclear attack. But then Voyager travels to 1996 in "Future's End" and there's no indication that humanity just went through the third World War.

Hell, in TOS, continuity wasn't maintained episode to episode for some things. In "Balance of Terror" they hadn't added photon torpedoes to canon yet, so the Enterprise was firing phasers bolts with proximity explosions at the Romulan Bird-of-Prey. There are a handful of different names for the organization the crew serves before Starfleet was named in "Court Martial" and even after that, they still called it Spacefleet Command one last time in "The Squire of Gothos".

Anyways! Obviously I think the subject of continuity in Star Trek is pretty interesting in and of itself, and I would argue that visual continuity aside, the new iterations from Disco onwards have been fairly mindful of canon. There are occasionally things that skirt the line, but very little that actually break continuity. A big one for me is the site-to-site beaming. In "Day of the Dove", Kirk asks if it's ever been done and Spock discusses how dangerous beaming from one point on the ship to another is, and how it requires pinpoint accuracy, but in Disco they do it all the time, and usually just with a voice command to the computer. I also don't like how fast the transporters on Disco and SNW work, but I don't think that rises to the level of a continuity violation.

The idea that the new wave of Trek is lousy with continuity errors is, in my opinion, largely perpetuated by people looking for reasons to dislike the shows, and who don't know canon as well as they believe.

Yeah, most of my pins are from various podcasts.

I do have a couple vegan pins, and until it sadly fell off, I did have a COVID-19 Vaccinated pin designed to look like the Ninja Turtles logo. Those are the most political things I generally wear.