[-] fireweed@lemmy.world 9 points 2 days ago

Outer Wilds

Reviews of the game are fantastic ("this is the best game I've ever​ played" - everybody) but trying to fly that damn spaceship is so hard. I also heard there's tricky platforming later on, and if you mess up you gotta start waaaay back. I did not grow up with video games so I'm terrible at that kind of thing. I should just give up and watch a playthrough but apparently that defeats the whole point of the "incredible" story, which is the only thing I'm here for in the first place.

I guess I'm just holding out for someone to release an assist mode or something.

[-] fireweed@lemmy.world 4 points 3 days ago

A reason that everyone should get behind:

AI = increased carbon emissions for a product that won't even be useful because AI is really unreliable.

[-] fireweed@lemmy.world 7 points 4 days ago

Seven on 7 is a series of TV news shorts and commercials from The Boys universe. It's a delightful little parody of Fox News. The whole series is available free on YouTube.

[-] fireweed@lemmy.world 10 points 4 days ago

In Washington State (where most voting is done by mail) it doesn't matter when officials receive your ballot, all that matters is that it's postmarked by election day. This does mean that any race that's even remotely close can take days to call (as ballots continue to arrive days after election day), but you never have to worry about how long the post office is going to take to get your ballot delivered.

In neighboring Oregon on the other hand (also primarily mail-in voting) they won't count your ballot if it's not received by election day, so every election they have to throw out stacks of otherwise legitimate ballots just because the voter either underestimated how long it would take for them to arrive, or because all they heard was "XX is election day" and didn't know to consider mailing time.

I think Washington's system is superior, and should be how it's done everywhere. Washington also has same-day registration for the super-procrastinators! Literally no excuse to not vote here.

[-] fireweed@lemmy.world 7 points 6 days ago

I mean, obviously it's not for everyone, but it's important to actually experience urban living for yourself before deciding you hate cities. Especially given the political situation in the United States right now, where so many suburban and rural residents are bashing cities and urban living without having properly experienced it for themselves; I think there would be a huge bite taken out of the urban/rural divide if more people had experience living in cities, and got to personally see the good and the bad for themselves. Plus your twenties is a great time to learn street smarts, because that way you'll be less likely to have a bad experience when you do visit a big city in the future, whether it's for something fun like a concert or something serious like going to a medical specialist. There are a lot of basic lessons like "never ever leave anything visible in your unattended parked car", how to use public transportation, being able to firmly say "no", and general situational awareness that are just good life skills that city living forces you to pick up.

I'm not at a point in my life where I want to live in a big city anymore, but I'm so, so grateful that I did in my youth.

[-] fireweed@lemmy.world 10 points 6 days ago

Travel, live abroad if possible, and experience living in a big, culture-rich city. Unfortunately the economic realities of the 2020s are making this increasingly out of reach for many youth, but if you have the resources and opportunity, absolutely go for it. As you get older, responsibilities and lack of energy will likely sap much of your ability/desire to move around as much (this isn't true for everyone, but it's extremely common). Even if traditional travel is impractical for you, there still exists cheaper opportunities for exploration that are a bit off the beaten path, such as the WWOOF program.

Regardless of your situation/location, one thing that basically anyone can do is get involved in a cause. Find something you're passionate about and throw yourself into it. Make sure it's something that you can do in-person and not virtually... as in, there are local groups you can join for this cause, although if there aren't you can always try making one or forming a local chapter of a larger org. With the right networking you'd be surprised how many other people will join you, especially for causes that involve your local community. This is a great way to meet other people, get to know the issues facing your neighborhood/city better, and learn to navigate your local government/NGOs. Again, as you get older responsibilities/exhaustion can make this sort of thing a lot harder.

[-] fireweed@lemmy.world 9 points 1 week ago

Minnesota is probably the most famous example at the moment, but they're far from alone!

https://www.nycfoodpolicy.org/states-with-universal-free-school-meals-so-far-update/

[-] fireweed@lemmy.world 36 points 1 week ago

Red states are not okay, because all they have left in their value system is cruelty toward people they see as not "pulling their weight," as if we still live in some resource-scarce era of yore where if you don't work, you don't eat (and even if you do work, eating is not guaranteed, better work harder!).

Blue states are increasingly providing lunches, and sometimes even breakfast, for all students free of charge. It used to be income-based (you'd get free or half-priced lunch based on your family's income), but even that system is getting ditched because of the associated stigma and the problem of some needy students falling between the cracks.

[-] fireweed@lemmy.world 6 points 1 week ago

I actually think this is brilliant. Most Americans have no knowledge or personal connection as to where their food comes from and what goes into producing it. The ag sector is also, sadly, rife with worker abuse, farmers commit suicide at way higher rates than the general population, and our food system is getting increasingly industrialized and specialized, with small farms getting gobbled up by megacorps. But because agriculture usually happens away from population centers (sometimes far away) there's not a lot of public awareness (or sympathy) of issues. Meanwhile soil depletion and unsustainable practices are setting the US up for all kinds of potential future disasters (second dust bowl, anyone?), and that's before you factor in climate change.

So yes, let's have all Americans get even a few months of experience with our food system!

[-] fireweed@lemmy.world 5 points 1 week ago

There's a webcomic called Just Roommates that's based on this concept of the suits themselves taking on a persona.

[-] fireweed@lemmy.world 3 points 1 week ago

Agree with everyone else that this isn't normal for someone your age and get a second opinion.

However addressing your other questions: you're at an age where lifestyle starts to really matter. Diet, exercise, ergonomics, environmental exposure to pollution/toxins, alcohol/drug use, sleep habits: these are all things that many healthy young adults can avoid having to worry about... until suddenly they can't anymore. It is common, especially starting around age 30, to find there's unhealthy behaviors from your teens and 20s that you just can't do or do to excess anymore. It's different for everyone; for some people it's that they can't sleep on a crappy mattress anymore, or drink certain types of liquor, or pull all nighters, or eat garbage, etc etc.

So while it sounds like you have some personal health issues outside of what's "normal," you still are at an age where the cumulative effects of a poor lifestyle can start to catch up to you. I think a lot of people greatly underestimate how sedentary their lifestyles are in particular, and of all the behaviors to change for the better as you age, going from sedentary to active is probably the hardest, given that our world is built to keep us sitting: sitting in our cars, sitting at our desks, sitting on our couches, basically sitting from the moment we wake until we go to sleep. Humans never lived like this until very recently: basically every decade since the personal automobile became the standard mode of transportation it's steadily gotten worse. So yes, definitely do some doctor shopping, but now is also a great age to take stock in your lifestyle and how you're treating your body. Because yes, it does get a little harder each year, but the speed of which it gets harder is at least partially up to you.

[-] fireweed@lemmy.world 7 points 1 week ago

I think all mowers except non-motorized push mowers should be illegal for home use. You want a big, manicured lawn? Well then you gotta work for it, buddy.

Most properties where I live have huge grass lawns, but I almost never see anyone actually using them. The only time anyone is out on their lawn is to mow it, and they all use these low-effort riding mowers. Every single nice day (and I live in the maritime Pacific Northwest, so warm and sunny days are precious things) is always filled with the din of mowers, leaf blowers, hedge trimmers, and other gas-powered tools of ornamental landscaping. And for what? An ecologically-devoid patch of land that even the landowner isn't utilizing.

1

I love seeing random instances of vaporwave influence. I stumbled across this example in the sci-fi/fantasy webcomic series Ava's Demon. It's only for two panels and has nothing to do with the plot at all, but I thought it was a neat cameo.

1
submitted 2 months ago by fireweed@lemmy.world to c/wavemusic@lemmy.world

I was listening to the radio the other day and did an audio double-take as I could swear I heard vaporwave coming from my speakers. Turns out it was the intro to Espresso by Sabrina Carpenter, one of the hottest songs of the summer. Another popular song that seems like it might have some subtle vaporwave influences is Saturn by SZA.

What do you think, is this just a coincidence or has the niche phenomenon of vaporwave influenced pop music? What mainstream songs give you synthwave/vaporwave vibes?

1
submitted 2 months ago by fireweed@lemmy.world to c/wavemusic@lemmy.world

One of my favorite aspects of "wave music" is that it's spun off so many various sub-genres and niche aesthetics. We've got:

Synthwave, Chillwave, Vaporwave, Retrowave, Darkwave

as some of the main players, but what else is out there? What other "waves" have you come across?

258
submitted 2 months ago* (last edited 2 months ago) by fireweed@lemmy.world to c/newcommunities@lemmy.world

For fans of '80s-inspired contemporary beats. Share artists, albums, compilations, -wave channels, and vibe art.

!wavemusic@lemmy.world

1
submitted 3 months ago* (last edited 3 months ago) by fireweed@lemmy.world to c/wavemusic@lemmy.world

Droid Bishop (real name: James Bowen) is a one-man synthwave artist who's put out multiple banger albums over the last decade-ish. Each album feels like the soundtrack to an introspective 80s drama/action film. Beyond the Blue is probably my favorite road-trip album of all time; it makes driving through the empty expanses of I-80 through Wyoming feel like a grand, meaningful adventure.

As far as I can tell he doesn't have an official YouTube presence, but this channel seems to have all his works: https://www.youtube.com/channel/UCYb8MJseDAimJBFCJQ8Hfvg

1
submitted 3 months ago by fireweed@lemmy.world to c/wavemusic@lemmy.world

INEXED is one of my favorite channels for background music. If I wanted to introduce someone to synthwave, this might be where I direct them.

Videos are consistently high-quality, and the compilations are long (1hr to 2hr+) without repetition. There's perhaps not a lot of variety in vibe: some videos label themselves and vaporwave, chillwave, retrowave, etc, but I'd consider those to be more the flavor of synthwave being featured than actual examples of those genres. Most compilations are calming but energetic, with a bit of a surreal touch.

It's frustrating that INEXED only has about 37k subscribers when the quality is so much better than a lot of other synthwave/chillwave channels out there. Please check them out!

https://www.youtube.com/@INEXED

1
submitted 3 months ago* (last edited 3 months ago) by fireweed@lemmy.world to c/wavemusic@lemmy.world

NewRetroWave is the GOAT.

They've posted over 3000 retrowave and synthwave songs and albums since 2011, and more keep coming. With over a million subscribers, they're one of the biggest players in the YouTube synthwave scene, and for good reason: in an era of low-effort compilations repeating the same tired tracks over and over, NewRetroWave somehow keeps finding quality fresh material for us listeners. Most of their posts are single songs (3-6 minutes), but there's a few longer (hour-ish) compilations mixed in.

This feels less like a YouTube channel and more like a library. Definitely check it out!

https://www.youtube.com/@NewRetroWave

1
submitted 3 months ago* (last edited 3 months ago) by fireweed@lemmy.world to c/wavemusic@lemmy.world

Dreamingr0b0ts is a fantastic house/trance YouTube channel with a mere 123 subscribers. (It may not technically be synthwave, but it's synthwave-adjacent)

Some of the very oldest videos are a bit rough around the edges, but they quickly improve in quality. I like this channel because it has more of an old-school vibe than most synthwave; it reminds me a lot of early-2000s electronica, back in the days of Armin van Buuren. Vocals are present more often than not, and the vibe is more "dance" than "chillax." Great music to stay awake during a long road trip, or to stay motivated during a big house clean-up. A lot of synthwave videos rehash the same songs over and over, but as far as I can tell these are quite fresh.

Check out their "The Daily Dose" series, each of which are albums of about 20 minutes each.

https://www.youtube.com/@dreamingr0b0ts

1
submitted 4 months ago by fireweed@lemmy.world to c/animation@lemm.ee

Cross-posted from: !animationafter30@lemmy.world

Original thread: https://lemmy.world/post/14414789


Title: An American Tail, and the sequel: An American Tail: Fievel Goes West

Type: Western animated movie

Year: 1986; 1991

Country: United States

Genre: Kids/comedy/action

Appropriate for 30+?: Unable to judge

My rating: N/A

Note: IMO it’s impossible to give a piece of your childhood a fair review (nostalgia and dozens of rewatches heavily warp one’s perception of a work), so I decided to go in a different direction from my typical reviews and focus on the rewatch experience instead.

An American Tail: Fievel Goes West (hereby: FGW) was one of my favorite movies as a young kid. I watched it so many times I could practically recite the dialogue from heart. After learning that it was actually a sequel I watched the original 1986 movie (hereby: AAT) once or twice, but didn’t like it as much. I remember feeling that while the sequel was a laugh-a-minute romp with engaging action scenes, the original just wasn’t as fun and was instead a bit of a downer with some scary/creepy moments (especially the climax when the cats attack and the Mouse of Minsk is released).

Several decades since my last viewing, I decided to give the two movies a watch to see how they held up. I started with AAT and found it somewhat rougher around the edges than I expected, but still above-average for a kid’s movie. I then watched FGW, and wowza I was not wrong as a child: the sequel is such an improvement on the original. It’s the kind of sequel where they basically go through the plot of the original again with a different setting (ala The Hangover), but FGW is such a superior movie that it was more like watching a wildly successful reboot. The animation, soundtrack, pacing, dialogue, humor, and villains experience a huge improvement over the original. There is mild value in watching AAT first (as it explains a few confusing parts of FGW, like why Fievel is willing to risk his life for a hat, and why his father is confident he’ll survive getting lost by himself in the desert), but 99% of FGW stands up on its own.

One major difference between the two is that FGW is infinitely goofier, and is possibly one of the best examples of Looney Tunes-style slapstick humor out there. I haven’t been a fan of slapstick this side of elementary school, and had I had been introduced to these movies as an adult this aspect might have put me off to the sequel, however whether through the power of nostalgia, quality choreography, or the fact that the slapstick is intertwined with other types of humor, I did not mind the slapstick segments much. Additionally, it was quite fun whenever a joke or bit of dialogue came along that made me go, “aha, I’m pretty sure I didn’t catch that as a kid!” I know I didn’t properly appreciate the performances of John Cleese and James Stewart! FGW runs at a mile-a-minute, and there’s so much nonsensically-brilliant dialogue, tight choreography and cinematography, and easy-to-miss details that elevate the movie beyond just a kid-pleasing goofy romp.

I walked away from this exercise in nostalgia relieved that AAT and FGW still hold up over 30 years later (there are some racial stereotypes in both that probably wouldn’t pass muster today, but they’re mild compared to the stuff from that era that didn’t age well). I was impressed with how effortlessly AAT and FGW were able to portray “the American story” in a way easily digestible for young children while still including subtle real-life details (like the pogroms that pushed the Mousekewitz family out of then-Russia-now-Ukraine). I don’t know if an adult watching the movies for the first time would enjoy them, but I definitely had a blast.

1
submitted 4 months ago by fireweed@lemmy.world to c/animation@lemm.ee

Cross-posted from: !animationafter30@lemmy.world

Original thread: https://lemmy.world/post/12538199


Title: Inside Job

Type: TV series

Year: 2021

Country: United States

Genre: Comedy

Status: Cancelled (RIP)

Platform: Netflix

Appropriate for 30+?: Absolutely

My rating: 4/5 stars

(Rating scale: 5/5 = masterpiece, 4/5 = quite good, 3/5 = mostly good, 2/5 = bleh, 1/5 = I regret ever being exposed to this series, 0/5 = affront to humanity)

Inside Job is peak Millennial media. Most of the main characters are Millennials, jokes and cultural references are aimed at 20- and 30-somethings, a major plotline revolves around the Millennial protagonist and the strained relationship with her Boomer dad, and there’s even have an entire 80s nostalgia parody episode.

Overall I’d give the series a B (4/5 stars: good but not great). The humor generally lands and the plots are interesting enough. The characters start out painfully two-dimensional but become more charming over time. Unfortunately the latter episodes somehow lack the charm and fun of the earlier episodes, and alas the series never got a chance to redeem itself in season two after being unfairly axed by Netflix after a mere 18 episodes (and a cliffhanger ending). Perhaps not a “must-watch” for the general public, but I’d heartily recommend it to any fan of western adult animation.

Summarized in a phrase: a funnier, smarter American Dad.

12
submitted 4 months ago by fireweed@lemmy.world to c/manga@lemmy.ml

Cross-posted from !animationafter30@lemmy.world

Original thread here: https://lemmy.world/post/12816521


Japanese title*: Shimanami Tasogare (しまなみ誰そ彼)

English title: Our Dreams at Dusk

Type: Manga

Year: 2015-2018

Country: Japan

Genre: Drama

Status: Completed (four volumes)

Platform: Seven Seas Entertainment published the series in English; old scanlations can also be easily found online

Appropriate for 30+?: Resounding yes

My rating: 5/5 stars

(Rating scale: 5/5 = masterpiece, 4/5 = quite good, 3/5 = mostly good, 2/5 = bleh, 1/5 = I regret ever being exposed to this series, 0/5 = affront to humanity)

*the title in Japanese has a double meaning, with "Shimanami" being a place name, and "tasogare" meaning "twilight" but it's spelled to loosely translate instead to "who is he?"


To preface: I almost never give out perfect 5/5 ratings, but Shimanami Tasogare is just that solid. It's a series I've read several times and adore for both general and personal reasons. I've written an unusually long review because there's just so much to unpack here. While there are no major spoilers ahead, if you trust my judgement stop reading this review and go read the series instead: I don't want to unnecessarily color your experience.


Shimanami Tasogare is a series of understated brilliance that does so many things well that it's difficult to know where to start dissecting it. I'll start with the subtlely beautiful art, which features just enough detail to be realistic yet a touch dream-like, and it confidently dips into the surreal to introduce brief, almost flow-of-consciousness moments for the purpose of conveying the characters' emotions in the moment (this is only one of many ways that the series excels at "show don't tell"). The setting is itself an integral part of the story, and is portrayed in a level of detail and specificity rarely seen in manga. Then there's the tone: while the series deals with serious topics and sad moments, it handles them with grace and skillfully maintains an overall uplifting and joyous vibe (which I really appreciated, as I rather dislike "I smiled through the tears!" or "orphan-crushing machine" stories that are billed as "bittersweet" or "heartwarming," although be forewarned some characters' plotlines are more tragic than others, and the emotional impact of each plotline will almost certainly differ from reader to reader depending on whether it hits close to home or not).

One of the series' greatest strengths is in the characters, every one of which is complex, imperfect, sympathetic, interesting, and above all human. While the protagonist is a high school boy, the supporting cast range from approximately age 11 to 60, with most in their 20s/30s, and about an even gender split. You could argue this is a coming of age story, however the high school plotline is portrayed with maturity, and the older characters all get their own fully-fleshed-out plotlines too, so I think the more generic "character drama" label is much more appropriate. Characters' reactions are not always immediately understood by the audience, but they never feel arbitrary, like they came out of nowhere, or merely happened for the sake of plot development. The characters always drive the plot, never the other way around. 

Speaking of the plot, while far from an "edge-of-your-seat" series, the plot is quite engaging, and barreling through the entire four-volume series in one sitting is far from unthinkable. The pacing is fantastic, much of which is thanks to the series' excellence in "show don't tell": the dialogue never feels excessive nor insufficient, and the author conveys characters' thoughts and emotions via art, expression, and action as much as via dialogue. This leads to scenes that squeeze a lot of development into just a few panels, but it never feels rushed or confusing.

Two details that made me personally love the manga even more are: (1) the series is set along the "Shimanami Kaido," which as mentioned in the manga is a historic area of central Japan made up of a series of islands connected by a long highway that also features a fantastic cycling route that I've ridden myself (if you ever visit Japan and are capable of riding a bike, rent yourself a cheap mama-chari and ride as much of the route as you physically can). (2) The characters are involved with a non-profit that renovates old abandoned houses ("akiya") and repurposes them; I love old stuff and there's something so romantic and enticing about both the slow-decline vibe of abandoned houses in depopulated areas and the magic of "restoring something old to its former glory" renovation projects. While neither the Shimanami area nor the akiya restoration project are the focus of the series, they are explored in a good amount of detail and the reader should walk away from the series having learned something about both.

Now that I've sufficiently buried the lede, it's time to discuss probably the most noteworthy elements of Shimanami Tasogare, which is that it's possibly one of the best LGBTQ+ manga ever written; it certainly was groundbreaking in the mid-2010s when it was released for its realistic depiction of LGBTQ+ issues in Japan. However! Much like how the series feels relevant and highly accessible even to readers much older than the adolescent protagonist, Shimanami Tasogare is far from a manga only for LGBTQ readers. In fact, I'd strongly argue that everyone regardless of sexual/gender orientation should read this manga, not only for all the series' fantastic qualities I listed above, but also for its poignant messaging about intentional and unintentional homo/transphobia and what it means to be a supportive ally. I would go so far as to wish it were required reading in every middle school in the US, up there with other cultural touchstones like To Kill a Mockingbird, because it covers a lot of "culture war" issues (both in relation to LGBTQ+ issues and otherwise) in a compassionate, clear, and concise way while somehow never feeling preachy. Full disclaimer: I do not consider myself a member of the LGBTQ+ community, and thus this review is from the perspective of an ally. However my understanding is that the manga received rave reviews from LGBTQ+ communities in Japan and abroad, so I feel confident in my positive assessment of the series.

As just one example of effective messaging, the series clearly demonstrates the value and importance of "safe spaces" (both IRL and digital) for marginalized populations, and what can happen when they're invaded, even if it's with good intentions. One of the supporting characters is a pushy and opinionated straight/cis woman who takes it upon herself to white knight for her trans friend and repeatedly oversteps her bounds until she's finally told off and sheepishly retreats to the literal background for the remainder of the series. No one ever comes out and explains that "a true ally is someone who knows when to step up and when to step back," but anyone with a touch of reading comprehension will hear this message loud and clear.

This is how almost all messaging in the series is: rarely stated directly, but portrayed so clearly that anyone with a shred of compassion or sympathy will understand them. I've considered myself an ally of the LGBTQ+ community for over twenty years, and have read many explanations on microaggressions, safe spaces, the importance of allyship, "the queer experience," etc. (in addition to similar pieces related to other marginalized groups, such as racial/ethnic/religious minorities). Rarely have I read a more clear, convincing, and more importantly precise and concise argument for so many concepts often dismissed as "libtard bullshit." I think this is a case of using a medium to its full potential: the graphic novel format allows the author to portray a lot of concepts non-verbally, which better allows the reader to feel like they've been able to observe the situation for themselves and thus draw their own conclusions, while simultaneously avoiding the inherent "preachiness" of verbal communication. The author never needs to state "don't do X, because it will make people feel bad," because the reader can instead watch X unfold, then infer for themselves that it made a character feel bad based on their expression and body language. This technique only works because every character and every situation feels so realistic, especially in relation to each other, which is why it's critical that so many other elements of the manga are as solid as they are.

Another testament to how successful the author is at conveying difficult messages in a positive and effective way is in how the manga has aged: usually with quickly-evolving cultural topics (such as LGBTQ+ issues) there's almost always something that even expert creators get wrong, that feels outdated even only a few years later, that comes off as misguided, divisive, controversial, or offensive. The stronger the messaging the more likely these blunders are to occur, and Shimanami Tasogare definitely has some strong messaging. Now perhaps there's something that I overlooked or missed that someone from the LGBTQ+ community would identify as a misstep on the part of the author. However I think the author did a brilliant thing to avoid this when crafting their messaging: they portray imperfect characters that are often conflicted and uncertain of what they should do, characters that cause hurt and feel hurt even when no ill will was intended. Further, and as outlined above, the author avoids preachy dialogue that declares absolute truths by instead utilizing "show don't tell." After all images are inherently more nuanced messengers than words (there are a few moments where characters do have to spell things out for each other, but the messaging is usually either extremely general or portrayed as just their opinion, and is always plot-relevant and never feels ham-fisted or forced). One of the central themes of the series is the difficulties people inevitably have understanding each other, often even themselves, and how this unfortunately leads to people hurting one another even when they're trying to help or do the right thing. Yet the series is generally positive about society and humanity as a whole, and would fit right in with the "it gets better" campaign. This all further helps the series feel nuanced, as if to assure the reader, "no one can always get it right (not even me the author) and that's okay."

In summary: Shimanami Tasogare is a story about people (LGBTQ+ or otherwise) and their relationships with themselves, other individuals, and society as a whole. It is brilliantly composed, with exemplary art, pacing, plot, dialogue, setting, and characters. It is smart but accessible, with timeless themes about human relationships that are also painfully relevant to contemporary issues, and it conveys poignant messaging without soapboxing. A core theme of Shimanami Tasogare is that your sexual/gender identity is part of you not all of you, and the same should be said for this manga: while it is a story that covers LGBTQ+ issues, it is far from being just an LGBTQ+ work. I highly recommend this series to everyone, regardless of age,* nationality, or gender/sexual identity.

*Given the nuanced and sometimes difficult content discussed, some discretion is advised. I'd give it a 12+ age rating, although it may resonate better with audiences 14+.

10
submitted 4 months ago by fireweed@lemmy.world to c/manga@lemmy.ml

Cross-posted from !animationafter30@lemmy.world

Original thread here: https://lemmy.world/post/14998497


Title: One Room of Happiness (Original Title: 幸色のワンルーム)

Type: Manga

Year: 2017-2022

Country: Japan

Genre: Drama/Psychological

Status: Completed

Platform: Licensed by Crunchyroll (license discontinued?)

Appropriate for 30+?: Yes

My rating: 4/5 stars

(Rating scale: 5/5 = masterpiece, 4/5 = quite good, 3/5 = mostly good, 2/5 = bleh, 1/5 = I regret ever being exposed to this series, 0/5 = affront to humanity)


Warning: One Room of Happiness contains difficult subject matter such as suicide, abuse, and rape. Many of the characters are or have been victims of abuse, and as such this series has multiple scenes and chapters that can only be described as "emotionally unpleasant." However the series also has many "warm and fuzzy" moments, and while there is tension that things could suddenly go horribly wrong underlying much of the series, this is balanced with joy and hope. In this way the series shares a lot of thematic and tone overlap with Oyasumi Punpun.

Given that Oyasumi Punpun is an infamous emotional trainwreck of a series, and given that the premise and initial chapters of One Room of Happiness send off super-skeevy vibes, here's a mild spoiler about just how bad One Room of Happiness gets:

spoilerThe ending of One Room of Happiness is bittersweet: nowhere near as devastating as Oyasumi Punpun, but certainly not a fully happy ending either. The "kidnapper" does not attempt anything untoward toward the "kidnapped;" their relationship is generally wholesome, albeit in a fucked-up way. However rape-attempt scenes involving other characters do occur on two occasions in the series.

The core of the series is in its character study of abused individuals dealing with trauma, and the character development that comes with working through it and connecting with others also scarred by abuse. The plot is fairly engaging, and there's some cat-and-mouse as the "kidnapper and kidnapped" try to evade the police. The art, pacing, and dialogue are all quite good. Because one of the core themes of the series is recovering from trauma, the series is overall more wholesome, heartwarming, and uplifting than most "psychological" series, which depending on the series can border on torture porn. IANAP (I am not a psychologist), however I left One Room of Happiness feeling like the difficult subjects handled in this series were done respectfully, gracefully, and at least somewhat realistically.

The two main characters are on the younger side (14 and early/mid-twenties), however the subject matter is mature and, likely due to their trauma, the characters act mature for their age. The series's overall quality is high, and the "turn-offs for older audiences" that I try to watch for with these reviews are basically absent. As long as you are prepared for the heavy subject matter and can get through some of the more questionable content/vibes of the early chapters (including one chapter with non-sexualized 14yo nudity), I think this series is both appropriate and enjoyable for older audiences.


As always, this review is nothing more than my personal opinion. Anyone familiar with this work is encouraged to express their own in the comment section. Or submit your own review… it’s a free ~~country~~ fediverse.

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fireweed

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