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It's so crazy to me that they throw this word around and they haven't come up with a shared definition. I know the article cites that lady who stumbled with the definition last year saying "it’s hard to explain in a 15-second sound bite" but after all this time, you'd think they'd have figured out some kind of ELI5 explanation.
I also don't accept that same person's line of "It is sort of the understanding that we need to totally reimagine and redo society in order to create hierarchies of oppression" because I'd argue what so called "woke" media tries to do is be aware of inequalities that already exist, not create them. But I suppose if they said it that way they'd have to recognize that current systemic inequality is a real thing.
Lots of reasons to hate on the anti-woke movement but at this point, this in particular really bothers me for some reason.
They can't because there isn't one coherent definition that wouldn't crumble under the most basic scrutiny. As an example, from what I can tell they seem to behave as if the definition of woke is "things I don't like right now", which is a ludicrously stupid idea to try to build a laws around, much less a movement.
Any conservatives that are reading this, please feel to correct my assumption of your definition of "woke" any time anyone asks y'all can't give any sane answer that gives anything concrete to what you're trying to communication.
I think you're right in some cases. Maybe this woman is one of those cases.
I think that for some others "wokeness" is fairly well defined but they know that it is a dog whistle. They know that if they were to explicitly define it they would say the quiet part out lond. They would reveal that "wokeness" means "acceptance, inclusion, and celebration of fundamental differences between people". They would reveal that being "anti-woke" is just a way to say "Hi, my name is Ron and I'm a bigot".
If she doesn’t know it’s a dog whistle she’s a moron. That’s not to say that reasonably intelligent people can’t be duped, just that she’s one of the major faces of anti queer bigotry in America today. She’s the modern Anita Bryant with a bit of Cathy Brennan thrown in. Any ignorance she holds of the cost of her actions is willful
The word is thrown around a lot and most people do use it as they want, but from my observations of the online medium, "woke" is usually used for companies that insincerely pander to minorities with a token act of 'kindness' that also has discriminatory undertones.
The most common example I've seen to have the word used is for comic book live action adaptations or remakes in which a red-haired character otherwise known as a ginger is replaced by a black actor. The 'woke' meaning here is companies being intentionally racist in their malicious compliance to add minorities as a quota with the unsaid, yet implied wordplay.
For those who don't get it, 'Ginger' -> 'N...'
Edit: Of course, for some people, any race replacement for any character is 'woke'. Also, now that I think about it, most recent movies and animations with women as leading characters get called 'woke' as well, often compared to Ripley or Connor from Alien and Terminator movies.
So yeah, in a sort of sense, 'woke' would probably be akin to saying 'insincere pandering', or that's how it's meant to be portrayed?
So your conclusion is that its racist to replace a historically red-haired (white person I assume?) character in a fictional story with a black actor? Do I have that right?
No you do not. My conclusion in that regard is that those using the word in that context do so with that meaning in mind.
My personal opinion on racism wasn't expressed in the reply.
Apologies, I mistakenly assigned ownership to you. Let me try again:
So your conclusion is that those using that word believe it is racist to replace a historically red-haired (white person I assume?) character in a fictional story with a black actor? Do I have that right?
I believe that some of them wholeheartedly do. How many actually do so and how many just use it as an excuse, I can't tell.
I can respect your analysis of them ,but we're back to the original challenge. You are having to try to tease out a definition from their own inconstant behavior because they cannot define woke.
Well, that is true. It would seem that each use is subjective to an individual's own opinion on whether the replacement or the focus is in line with their view of things.
Even if their definition isn't uniform, when pressed, they can't enumerate it. They certainly act on it though. To me that's either bad faith communication (they know and they won't say) or they wildly lacking in self awareness (they don't know and act anyway using handwaving to excuse bad behavior).
There's no doubt bad faith actors are using it for their own purposes and their intended target is the latter kind of person. The lack of self awareness is in my opinion quite common. There's simply too much to deal with for the average individual on a daily basis to allow ourselves a type of introspection that can clarify who we are and how we act. We are vulnerable to catchy phrases as it is simply too exhausting to analyze every bit of information coming our way, so we accept shallow definitions, we accept a path of superficial righteousness and we accept the paper thin sweetness thrown our way. Only to have it all crumble at a deeper look, taste or thought and leave us helpless.
People are dumb. Intelligence is an exercise. And we have to specialize if we want to achieve something. That means we have flaws to be exploited. And they very much are, in every way.
So I try not to blame the lack of self awareness. Because we all experience it in different ways, of different things. Not knowing is okay. But how many of us can accept that about ourselves or about others? Not many, else the world would be a happier place.
That is an example of what people call woke, yes. Idk about it being racist but I do recall the whole little mermaid movie being called woke because they recasted with a black actress.
Not saying if I support that decision or not, just saying that to me the definition is pretty clear when it comes to race swapping of existing characters.
This is a great example of their problem then. Why can't they just say that then? If that is "woke" to them why can't they say:
"In a fictional story about a fictional half human/half fish creature should obviously be white skinned, and making the fictional half human/half fish character played by a black actor is not right."
Perhaps because their claim is indefensible? Mermaids are fake. There's no reason the human half of the character is white. Even the white author the fairy tale is based upon never described the mermaids hair or skin color:
"In Andersen's fairy tale, the Little Mermaid is described as follows: "her skin was as clear and delicate as a rose-leaf, and her eyes as blue as the deepest sea." And if you're wondering if Andersen's Little Mermaid had that signature bright red hair that has become synonymous with mermaids, the answer is unclear." source
So its not even violating the original story to cast a black actor.
This is where I go back my statement in my original post that they can't define "woke". I'll quote myself from the prior post:
This is basic scrutiny, and their claims crumble.
I wouldn’t say that’s indefensible. It’s making a decision that says it’s better to have an actress with X colored skin instead of Y colored skin, even though it doesn’t add anything to the story.
I don’t expect you to agree, but to me that ruins a movie. It should only be done if it adds to the story, like in house of the dragon where the race swap made the strong boys stand out way more.
Again, I don’t expect you to agree, but please note that just because most conservatives that hold this viewpoint are an idiot doesn’t mean all arguments about this point is idiotic.
Please defend it then. Why does a white skinned actor on a fictional person/beast make it a better movie in any capacity? Or perhaps, why does having a black actor subtract from the story?
Even if your answer is subjective, you should be able to explain your reasoning for it.
As I explained, it doesn’t, which is exactly what my point is. If changing a race of a fictional character doesn’t add to the story, then why would you change it? Why not keep the character the way the fans have come to know them? As in there is more value to keeping true to the original character, regardless of their race.
Changing it sends the message that there is something better/worse about certain races (in general or in the specific story). I don’t support that (unless it adds to the story). Maybe that’s not the message you get when you see race swaps, but I usually question motives behind decisions.
It was already changed once to make it white by Disney. Anderson, the original author, certainly didn't do that. If you're opposed to changing it your beef is with Disney for making Arial white when it wasn't stated she was from even from the beginning.
No there isn't. Many of the historical characters in fiction in our western culture can be traced back to our racist past. Keeping that pattern merely reinforces that exclusion. This is especially true where it adds no value to keep it exclusively white. An even more extreme version of this is historical white actors playing minority characters playing up obvious racial stereotypes. A great example of this is Mickey Rooney playing the Japanese character of Yunioshi in the 1961 movie Breakfast at Tiffany's. If there was a reboot made of this movie today, would you argue that another white actor should play the Yunioshi simply because Rooney, a white man, played the character in the original telling? The author of the novella, Truman Capote, certainly didn't say the Yunioshi character was a white man pretending to be a racial trope of a Japanese man.
Thats a really strange take to me. I could use nearly the exact words in my argument to support having other race actors play the parts. You're arguing the fake creature a mermaid's human half should stay white because it would be worse to have a black actor playing that part.
Not even a little bit. Did it upset you when the Broadway actor Leslie Odom Jr. played the part of Aaron Burr in the Broadway musical Hamilton? The historical figure of Burr was a real person and objectively white, but Odom Jr, a black man, played him on stage. Did you find that inappropriate or importantly un-authentic?
I think this is the crux of our disagreement, which is a good sign because it means our disagreement is due to us having different values than one party having bad logic.
To me, seeing the same character looking as similar as possible to the original version I watched (so in this case, Disney’s little mermaid cartoon, not what it was based on) has a lot of value, to me and my enjoyment.
I can fully understand if that has no value to you, but that means our values are different. For you to understand my perspective, you have to use logic (which you are) and my values (which your not).
I agree with this statement, but we need to go just a bit further. If we introduce empathy into the equation, we consider more than just our own views. Do the values we each have work to suppress or subtract others that don't have a voice? At what point does our mild inconvenience or discomfort become a drastic harm to others?
When I first heard about Disney casting a black actor for the live version of the movie it struct me strange and unfamiliar. However, with just a bit more consideration I realized that, while it was different, it didn't change anything in the story. Further having a black actor meant that Disney was able to open up the role to vastly more actors which means we could be getting a better performance because the limitations of skin color were removed. Further, one of the largest lessons learned in our society from the original Star Trek TV series in the 60s was the representation matters. Men and women of different races and ethnicity were able to connect and aspire to the characters because they saw themselves represented on screen with (mostly) equal footing. I see the same opportunity here with the Little Mermaid reboot.
Why does our minor short term discomfort or unfamiliarity with a children's movie remake mean we deny others that leg up to work in the movie industry and for viewers to be seen represented?
This doesn’t have anything to do with empathy. I think this is another disconnect. I see these decisions as artistic decisions, and they should only think about what would produce the best work of art. Trying to fix society should be done by reducing financial inequality (it’s why I call myself a leftist), not by ruining art.
Also, side note about representation. As a person or color, I always hated, HATED, when a person of my race was added without adding to the story. I want someone that looks like me to be cool, fit into the story, make the art work better. When it takes away from the story it feels like baggage and if anything makes me feel worse about my race.
So please, note that when it comes to race swaps, it’s not so black and white (pun not intended). What may seem like something that makes a movie better and society better to you can actually make the movie worse and make the person of color who it is suppose to help feel worse.
Does that mean your opinion is that a black actor in the lead role reduces the quality of the art of the Little Mermaid?
Isn't opening up roles for actors that people of color were automatically excluded from because of the color of their skin irrespective of their acting talent the vehicle for reducing financial inequality in Hollywood?
This seems so strange to me that the view you're communicating seems to restrict actors of color to only modern story lines or any historical story line through a western lens where their races was discriminated against, subservient, or seen as primitive. It reads like you're saying anything but those roles are off limits because we must maintain historical accuracy of skin color of characters. Please tell me I'm misunderstanding you.
Are you talking about the inclusion of an actor of color as an addon side character that doesn't add substance to the story (with the assumption that they were only added to increase representation and not advance the story in a substantive way)?
What if they are in the role of a main character? I raised this example before but I didn't see you respond to it. Did it upset you when the Broadway actor Leslie Odom Jr. played the part of Aaron Burr in the Broadway musical Hamilton? The historical figure of Burr was a real person and objectively white, but Odom Jr, a black man, played him on stage. Did you find that inappropriate or importantly un-authentic?
Based on this response, I don’t think you understood my previous responses. I’ll explain again but most likely won’t respond beyond this point cause we are going in circles.
A good portion of fans value staying true to the character they watched and fell in love with. So given this fact, doing a race swap that doesn’t add to the story isn’t good. If your goal is social good, the backslash kind of defeats that purpose. If you do a good original story or use one that already has those races, like miles morales. You would achieve your representation goal better (cause no backslash).
Race swaps are essentially rainbow capitalism.
The little original Disney Mermaid came out in 1989, 35 years ago. The huge majority of the audience for the new live action remake is kids under 10 years old. They don't care that the live action actor is black. The only reason the kids would have a problem with it is if their parents told them they should. I don't see a reason to keep consistency for a now aging GenX population who isn't even the target audience.
That's your choice of course. I'm interested in continuing, but your selective omissions are making it difficult for me to gather a more complete understanding of framing of your position.
You're right I'm not. I ask questions to trying and clarify your position so I understand, but they go unanswered. It would be VERY helpful for me to understand your position if you answer the question I've asked now for the third time:
Did it upset you when the Broadway actor Leslie Odom Jr. played the part of Aaron Burr in the Broadway musical Hamilton?
I mean I would sort of agree that most of the time it doesn't really add to the story that much, or, isn't that valuable, because mostly, from what I've seen, people would much rather have their own stories with their own heroes and role models that are natively written to be their same race. I.e. people like miles morales, people care much less about the little mermaid. It's less valuable, you're kind of, partially right to decry it as being surface level, pandering stuff.
At the same time, I would say that the upside people see generally about these stories is really just that they can see and associate themselves with the role models. This is especially important for kids, who are going to be more prone to relating with things on a surface level, I think, but I think it's probably important, in general, to be able to see role models of a variety of skin tones, cultures, whatever, in your media. If I'm remembering, there are actually studies on this sort of thing, that increased diversity in media consumption can decrease racism, though, I'm not sure to what extent that's correlational. I think it was pretty directly causal in the studies I'd seen, but I could be misremembering, I don't really know shit, I'm just a dude.
I think my main disagreement with your point is that I don't really think it's taking away anything from the story to do a race swap. It's pretty much strictly neutral, to possibly good. I think this is outweighed by the quality and disadvantages of doing a stupid live-action adaptation of a previously existing work in general, though, at least as far as artistic merit goes. I straight up don't think I understand the position that, say, changing the little mermaid to be black, implies that black people are, say, better than ginger people, or something to that extent? That ginger people are nonexistent? Hear ye on this theory: Perhaps it is the case that, when adaptations of common works are remade, side characters tend to be ginger specifically because they are side characters. Gingers with obviously freckled faces tend to get slotted into side-roles because they don't conform to the classical standards of "whiteness" as much. Obviously, if I were to do a very cheap, stupid re-adaptation of that work, I'd race-swap the side characters, over the main character. This isn't really true of the little mermaid, but you can see that this logic holds for a lot of other works that people tend to complain about, when they complain about race-swapping. It's possible that it's not so much a specific decision, as a kind of, cynical marketing decision. I mean, you can even see this straight up just in the idea of re-adapting existing works, rather than creating new works that just involve black writers, or what have you.
I’m glad you mentioned miles morales and that your familiar with those movies. Imo into the spider verse movies are truly outstanding works of art. The characters’ race does not feel forced at all given how it’s a new character and it adds to the story.
So this is my overarching point. If you want to have relatively representative characters in the media, do the god damn hard work and come up with great original stories and characters. Doing a half assed design by committee style race swaps backfires because it pisses a lot of the fans off.
The reason why I’m pointing this out on lemmy of all places is to point out there is “woke” nonsense and then there is corporate pandering to audiences while forgoing on quality. It’s rainbow capitalism and not calling it out gives conservative actual ammunition.
Idk why your getting downvoted, OP asked for a definition and you gave one.
Maybe they disagree with it or maybe they disagree with the word having one at all. Doesn't really matter, it's just casual chatter.
It’s probably cause of the last line you wrote before the edit.
Maybe. But I wrote it because understanding is a rare commodity and someone would've asked. Someone usually does.
What I’ve found based on my experience in lemmy is that people sometimes can take words and phrases at face value unfortunately. So you got to kind of translate things a little.
Can't say I know how. My own limited understanding prevents me from acquiring a verbal lingo that gets a point across entirely.
Sometimes I read replies to my own comments and just stare at them just asking myself "What?". And the longer the conversation, the easier i lose the original thread and just go off-track, probably confusing the other side even further. Even when writing a longer comment, I just jump from thought to thought. So at times, the first sentence and the last end up being in different dimensions, which may come across as jarring to a reader. Can't say I've managed to fix that over the years.
That's actually kind of the point. It's like how they use the words "communism" and "socialism." It's a word they've made wholly synonymous with "unquestionably bad," and it's defined by what it isn't rather than what it is so it can be whatever they point at when they say it. Keeping the meaning vague and amorphous is a way to self-police their own thoughts, and short circuit any meaningful discussion or debate before it even starts. It creates a boundaryless field of discomfort they only experience as a gut feeling. As soon as a conversation starts to stray into the territory of acknowledging that people who are different than them might nevertheless be full human beings they get that bad feeling in their gut and say, "I don't know... That sounds kinda woke." And everyone knows that anything "woke" is unquestionably bad. Ta-dah!: uncomfortable thought successfully avoided. Thought that may have led to a change of the status quo successfully avoided.
Even when we're talking about the thought influencers on the Right who are consciously aware of the above, they can't be seen to define it publicly because that would mean they would have to be honest about the seed of hatefulness they're dancing around when they use euphemisms like this. When someone asks them how they define "woke," they can't answer, "You know... N*gger stuff." That would instantly discredit them in the eyes of just about everybody, and they wouldn't be able to pretend to be a serious person making a serious point anymore.
Also, by pinning its meaning down with a definition it would lose much of its power as a propaganda tool. It would lose its universality. It would mean something specific rather than whatever that thing is that you don't like.
Omg, your so right about that.
Cause then all you have to do is find something that you don’t believe that is obviously wrong. You can call that socialism, and then do guilty by association from there.
It's simpler than that. Being "woke" means being self aware, to look at the world critically. For example, it means that when a politician tells you "the economy is better than ever", you look around and determine if your economic circumstances are better than they used to be. Maybe they're correct and you are an outlier, maybe they're using metrics that don't accurately reflect your life - you don't internalize what you're told blindly, you look at everything you're told critically
And it's not a big step from looking at the system critically to realize "hey, our system is absurdly stupid, on a fundamental level. It could definitely be changed for the better". That's not what being woke is - that's just a natural realization when you stop accepting what is and think about what could be
So the "war on woke" could be seen as a war on people who don't blindly accept what they're told. The term is mostly used correctly, most people just don't know what it actually means