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You can only sort of ever keep up.
The main issue preventing you an Old, from finding more about people who are Young, is that the Young don't exactly love the old filling up their spaces, trying to remain hip.
This is exemplified by the slow death of social networks as they grow in popularity. A new social network pops up, its quickly populated by the youth. Slowly, as it becomes more popular, Olds start creeping in, until there are so many Olds that the youth want to go somewhere else because they no longer have privacy.
When Mom and Uncle Jim are in the conversation, everything is suddenly less cool.
Happened to MySpace first, and it's happening to Facebook right now. It's basically ghost towns of people who will be dead soon.
We are limited because the youth will always want their own private spaces where they can truly be themselves without their weird expectations of the older generations. If you're older with zero expecations for the youth, congratulations: you're unusual, so don't hold it against the youth that they assume you're just another boring old person who is going to judge them for something. Most adults are out here judging them, so give them a break on assumptions they might make about you.
I used to keep up with music through YouTube channels, but even the ones I used to follow are aging up and soon enough those people I was listening to are Old now too, and they're doing the same thing as me, trying to keep up with what's hip and good.
I understand the desire to do so. New music is often so good, and I really get sick of people who act like the music they grew up with is the best in history. It's not, and it never will be. Music is always growing and making music is more accessible than ever, which means its really exploding and evolving. There's never been a better time to love music.
However, as Olds, we're just going to miss a lot of what's cool with the kids simply because we're Olds. So much is just going to naturally be hidden from us.
Thanks for this throughout and measured response it really does make sense now you bring these points to my attention I was the same when I was younger.
I guess I don’t want to invade their space as much as understand what they like and what they care about, not in a creepy way, more because I think the older generation should do this.
The part where you mentioned you would be unusual to have no expectations of young people. Well I am unusual as I think the youth are alright and a part of my thinking in this post is that we should celebrate the future of the world as they’ve got longer here than me and so they should have a larger part in shaping it.
It’s sad that we have this divide now where it’s us (not literally) against them when really they can learn from our mistakes and we can learn from their new perspectives.
I imagine it goes without saying that I’m not afraid to admit that I don’t know everything and even that we can learn from younger people and I don’t really blame them for thinking all older people are against them or whatever as I am self aware that I would have this mentality towards boomers when there are some great boomers out here that would be with me at pro-Palestine marches and stuff.
Apologies for this being all over the place. I literally just rambled on, and now too lazy to go back and format it better.
It's fine, no worries on your thoughts being all over, it's the internet. Who cares? You got your points across fine.
I don't think trying to know what the youth are into is creepy at all! I think the real issue comes from the youth being used to adults being shitty and judgy to them. Like I said, it's great if we're not shitty and judgy, but we have to be patient with the youth and their expectations of older people because they're absolutely colored by the fact that most older folks are weirdly judgy. So it's more that we have our work cut out for us because most older folks could give a flying fuck about being interested in the art of the youth, and the youth know that and feel it viscerally. It takes time for them to feel "safe" and open up. Like you said, how we grew up with Boomers and most of them are just dogshit and judgy people when it came to the youth. We like to think our generation is better... but it's not, sadly.
Anyway, it's not impossible to make inroads with the youth, but you have to be okay with them ribbing you and smile and laugh when they joke about how out of touch you are. They're going to assume we're just like any other jerk of an Old, so it just takes more effort on our parts to prove we're not just some judgy jerk.
I am thankful for every old person who has genuine interest in what the youth are doing and what kind of art they are creating. You're right, it IS a good thing to be interested, and it's a good thing to pursue, because it helps break down the very generational barriers we dislike so much.
Thanks again. You’re a good person SnotFlickerMan. You’ve given me plenty of food for thought and I appreciate you taking the time again.
Enjoy what’s left of the weekend and keep being a stellar bro.
I don't think MySpace died because The Olds invaded in the same way as Facebook. I think Facebook genuinely out-competed MySpace in features, especially having its own messenger. Facebook absolutely died when The Olds joined, what's remarkable to me is that Facebook...still exists?
And Facebook succumbed to the olds many years ago. I remember in the mid then late 00s when it expanded from just college students to include high school students, and then suddenly my Aunt Joyce was on it too. Seriously, we're talking 15 years ago now
Reddit had too many Youths so all us Olds came to Lemmy 💪
And since we're not Youngs, how the music appeals (or doesn't) is really not part of our experiences.
Pop music is a thing of the moment. Not to criticize, just an observation. Because of this, I don't really get why an Old would want to try to stay hip with music. You're not young during that time, not part of what the coming of age experience is like at the time. It's not your time.
Plus pop music, by definition, appeals to the broadest group possible by being less complex - this is true of anything. I always use Miles Davis' "Kind of Blue" (a massive avant-garde jazz hit in the 60's), compared to something by the Beach Boys, Elvis, The Beatles, etc.
Everyone can grok what Elvis is singing, but even as someone who studied music theory, I find Kind of Blue challenging to grasp. And I hear/learn something new every time I hear it.
Even if you're not personally experiencing the things pop music is currently about, there's still plenty of really great stuff coming out all the time that you'll miss out on if you stop listening to new things. For example, NPR popped up recently with a Tiny Desk Concert (which feels like a very Old way to find new music in itself) from Chappell Roan, and I would've been missing out big time if I'd skipped it just because she's 15ish years younger than me and in a different phase of her life. A lot of it feels more nostalgic (fucking Casual, man, so many of us have been there) than current to my life, but it's good music. And as a queer woman, gosh it's great to see these queer artists who are able to write their feelings and experiences without having to keep plausible deniability in the lyrics.
I'd say what you're (possibly) describing is something that's less specific to it's writer's time/age/moment, giving it broader appeal. If someone is 17 and writing classical style music, I'd expect most who appreciates classical to take an interest. That's just looking for new music, not a focus on staying "hip", which, again, isn't really an effective approach.
This fits with the reasons media/arts appeal the way they do - the more "base" it's appeal, the broader that appeal will be, because more/most people understand it.
These aren't my ideas - ask a professor of music (especially music history) the difference between the different classifications of music, and why they're defined the way they are.
One great example: today most people would consider Opera to be "high-falutin classical stuff that us regular folks can't grok cause we don't know Italian", when the reality is it was the popular music of it's day, with Opera performances being a rough equivalent to TV shows today. Some Opera composers knocked out 200 operas, per year.
Check out any lectures by Prof Robert Greenburg, especially "How to Listen to and Understand Great Music" or "Music as a Mirror of History", he explains these ideas very well.