Accelerationists have never been right, their argument is self-defeating.

The heart of the accelerationist argument is equating red and blue, claiming the blues' inability to completely undo the damage of the reds is intentional and makes them no better -- that the purpose of a system is what it does.

But by that logic, the purpose of accelerationism is to enable fascist ascent, and that makes them indistinguishable from fascists.

The initial contract is plausibly just for 12V car batteries, but if Zoolnasm's goal is 10GWh/yr, they definitely have their eyes set on larger-scale applications.

Also, if they're actually capable of 190Wh/kg, that's better than current-gen automotive LFP. That's a pretty huge "if," though.

Based on Drew Builds Stuff:

• Stuff Made Here, applying high technology and robotics to low-stakes challenges.
• The Thought Emporium (Also on Nebula). One day, they're artificially aging whiskey with ultrasound, the next, the host is editing his own genes to remove lactose intolerance.

Based on the intersection of building and the great outdoors:

• Quiet Nerd, who's been building a lot of camping equipment lately.

Some shots in the dark, based on exploration and documenting the unseen:

• Exploring the Unbeaten Path, urban exploration with some unique locations.
• Crime Pays But Botany Doesn't, identifying plants.

Based on Baumgartner Restoration:

• Hand Tool Rescue, a channel where they lovingly restore antique tools and machines.

Ships can register any nation as their flag state, so they often choose flags of convenience based on whoever has the lowest fees or regulations -- or more insidiously, whoever has the least ability to hold companies accountable.

This is why so many shipping companies register in Liberia, Panama, and the Marshall Islands. Also Mongolia, which is landlocked.

So unless we want to fill the oceans and ports with ships that have nuclear reactors with no regulation, no safety measures, and no accountability, we're gonna have to fix the last hundred years of international maritime law.

If resin is a non-starter for you, FDM printing can also make cool miniatures, but it will take more effort and the details won't be as fine.

People are getting good results printing minis on the Elegoo Neptune printers which are around USD$190. The latest fad is multi-material printers like the Anycubic Kobra 3 combo (USD$380) and Bambu A1 combo (USD$490) which can make colorful figurines at the cost of wasted plastic.

Tomb of 3D Printed Horrors has been getting pretty good results and is a good channel to follow if you go down the FDM route.

(Elephant-in-the-room sidenote: If you look at FDM printers, you'll run into fans militantly promoting Bambu Lab as part of an ongoing corporate-sponsored flamewar, and the community has a laundry list of grievances against the company. It's a mess. Bambu printers are good but not spectacular, and easy to use but hardly the only user-friendly printers out there.)

I think for a small, detailed figure that you're going to photograph, I'd recommend resin sprayed with a food-safe clear coat such as shellac.

Resin of all kinds requires rubber gloves, cleanup, and a well-ventilated room because it's smelly and generally bad for you in its unfinished liquid form. A small resin printer will cost under USD$200. Creality has one on sale for USD$100. They also sell washing/curing stations -- I built my own stations out of junk, but for USD$99, I'd go with theirs. Much more compact.

Nerdtronics made some excellent videos introducing resin and explaining how and why we print the way we do. These days, almost all printers are plug-and-play and the software is super smart, but I think these videos are highly educational anyways.

First, what kind of models are you curious about making? Big, small, decorative, springy, strong? Cosplay helmets, bike parts, tabletop miniatures?

This will inform whether you should look at tutorials for FDM (filament) printing or MSLA/DLP (resin) printing.

It's more about the how and why.

How: CCS pumps liquefied or pressurized gas into an exhausted oil or saline reservoir. These reservoirs didn't hold pressurized gas before, so it's difficult (if not impossible) to prove they won't leak. In the Decatur case, about 8 kilotons of CO2 and saltwater either found or created a crack in the reservoir, exactly as critics predicted. Locals are worried about groundwater contamination.

Why: CCS is largely unregulated in the US, and the companies interested in it are ones with awful environmental track records -- ADM is no exception there. To claim the 45Q tax credit, they only need to store the CO2 for 3 years. Why would they care about preventing leaks if they already got their payout? Doing shoddy work is in their best interest.

Does this event prove that underground CCS is literally impossible? Of course not. But feasibility isn't a pass/fail test, it's judged by factors like cost and risk. This event proves the approach isn't foolproof and the companies aren't trustworthy. So it's high time we stop acting like they are.

It seems that IPL effectiveness varies a lot based on the texture of the hair, not just color. It eventually worked on my legs, but not my face.

Beyond All Reason is my favorite RTS at the moment. I enjoyed Planetary Annihilation (despite its flaws), and BAR provides the same sense of exponential growth, escalation, and strategic pivots.

One of my favorite things about the game is that it's not ridiculously APM-intensive. The controls have a learning curve, but they enable you to "fire and forget" most of your tasks.

If you want to get a sense for the game before diving in, Brightworks does some good casting for both competitive and community-level games. https://www.youtube.com/@BrightWorksTV

The Legend of Zelda: The Minish Cap is one of my favorite games of all time. It's the last isometric Zelda game, and they made it a swan song. The main quest it pretty short, but it's the sort of cozy game where doing the sidequests just feels right.

In the game, you shrink down to the size of a mouse to traverse rafters and explore tiny temples and float on lillypads. It's the sort of thing that would be no big deal in a 3D game, but is wildly ambitious in 2D. Not only do they pull it off, but they fill the environments with lush, lived-in detail that springs to life when you shrink down and look at it up close. The art style still sticks with me after 20 years.

Also, forget all the "hey, listen" stuff, your sidekick Ezlo just sasses you the entire time. It's great.

a bit melancholic sometimes

Viewer be advised: If you've ever lost someone you took for granted, or hurried through what should have been a formative time in your life instead of slowing down and appreciating it while you had it, then this show knows how to punch you in the tender bits, and it will not stop.

I cried during every one of the first four episodes.

10/10