The color of Idris Elba's skin and eyes had absolutely fuck all to do with why that movie was fucking awful.
Wolf314159
My insurance seemed to go down about as fast as inflation, so it feels like I've been paying about the same for decades. I didn't really realize how much lower my rates were until I talked to some ~~kids~~ young adults.
I don't think anyone actually misses them. The only people I've seen that are actually into them now are way to young to be nostalgic for them.
Cassettes seem to interest people pushing back against the trend of instant gratification singles. They like being forced to listen to an entire album. Sometimes it's just the object itself as merch. and has no relation to listening to the music. Many people buying records and tapes have no means to play either. It's also all ancient retro tech to them and a tape is just a portable record that won't skip. Similar to the resurgence in popularity of film formats in photography. There is even an artist out there that released their new single on a wax cylinder format that is damn near impossible for anyone but the curator of an audio format museum to play properly. If you're nostalgic for the trappings of a time that you never experienced, is that nostalgia or some other thing?
Does that actually work for anyone? Under stimulation is an okay goal I guess, but to me this just looks like a claustrophobic and painfully lit anxiety echo chamber. If this was a room where one could turn out the lights and take an actual nap, I might feel different.
Similarly, there are a lot of really lazy bad maps out there that are trying to make some point about a statistic, but are really just population density maps. Give your up votes to the person that links the appropriate xkcd.
Obviously I was talking about the recording, not the album art. It's like you're going out of your way to misinterpret everything I've said that doesn't already align with the way you think. Kinda super frustrating.
Yes, I want an unencumbered physical representation of the artists work, just like you'd expect from an art print or book. I thought I was pretty clear about that. I don't want merch. I want the art. It's my money to spend to support the artists the way I choose, not an argument you can "win".
CD is dead and should be dead. Rip it and stream it, full stop. No need or reason to keep a degrading digital format when you can just rip it (full quality and store as FLAC) and stream it. That's the whole point.
This sentiment is somehow hostile to both artists and listeners. That's not the whole point. The whole point is that when I buy a thing (book, music, video), I own the thing and can store, backup, and transfer ownership as I see fit, not according to the whims of future licensing deals. I don't want to buy what is basically an NFT of the music. I want to buy the physical object. I want to be able to physically transfer that object.
You'll own nothing and like it I guess. Not me though. I've lived through too many failing companies, disappearing websites and services, hostile licensing deals that alienate and disenfranchise artists and fans, and general corporate greed. Let me buy the CD as directly from the band as possible. Let me take it from there and use whatever I choose for equipment, format, or software to enjoy it.
For the last few decades, very few people that have declared a popular media format dead have turned out to be correct.
That makes sense, but it's going to confuse anyone that grew up with the many varieties of magnetic tape available. Look on YouTube for Techmoan if you want to go on a charming deep dive into archaic and niche media formats.
What are MCs? Do you mean cassettes? No body ever really called them micro-cassettes, (those were the thing you used to record messages on an answering machine or dictation) so that doesn't really fit. Certainly not mini discs?
Sounds like an interesting premise for a musical.
"Sensors" sounds like a magical solution that hasn't been thought through, but the marketing guys already sold it and won't listen to the engineers explaining how difficult it is to actually build such a thing.