Each and every one of those fuckers looks like they're in a retail store about to demand to speak to someone's manager.

It's an Ethernet port. For some reason Apple decided <···> is the glyph to use for that.

Bob's Burgers doesn't really do MacFarlane-style "LOL we're a cartoon" meta stuff.

Oh, you're one of those shills for the shoe-leather industry! 😜

One can also undo the curse of reposting text as a screengrabbed image file.

Support local bands. Go to their shows. Tell them they suck to their face. Unplug the bassist's instrument cable. Demand free merch after. Get drunk as fuck in the parking lot. Fight their drummer. Support. Local. Bands.

Wherever you are!

If you hate everyone, have a snack. If everyone hates you, have a nap.

This site isn't Instagram.

I don't know.

In the beginning of 12 Angry Men everything is shot from above eye-level with wide-angle lenses, giving everything the feel of more space, but as the film progresses it transitions to tighter shots with telephoto lenses from lower angles. The film gives the viewer more and more of a subconscious sense of tension and claustrophobia as the story progresses.

At least one stage adaptation of the story gave a similar effect over the course of the show by slowly tightening the lighting and having the walls of the set physically move inward, too slow for the audience to take notice but enough to subtly affect the entire atmosphere and really drive that feeling home.

No matter what else they ever do, the greatest artistic achievement of DreamWorks will always be naming their villain "Fuckwad" with the spelling tweaked just enough to sneak past not only the censors, but multiple generations of oblivious family-film-going parents.

When balut.