Hatred, and a bunch of H-games with lolis.

So basically Yandere Simulator.

There's a reason I chose the ending where

I misread that as Portal 2 and was confused as fuck for the next sentence

I enjoy those types of games but stuff like SWAT 4 and Ready or Not where you're the hyper-competent police who are the only thing saving the sheeple from drugs, politicians, and corruption. And if you happen to kill a civilian then you get an Oopsie-Daisy sticker on your performance sheet.

I came here to mention Postal 2. I still think the premise is kind of clever, in that you're never truly forced to act violently and you can escape every confrontation without harming anyone if you know what you're doing. That could probably be done better though, but I personally have a soft spot for games that use the player's frustration as a mechanic.

But it really does communicate the American reactionary mindset. It's racist, it's smug, it presents a world where other people are aggressive and horrible for no reason. You fight against leftist-coded protestors at various points. It presents mass murder as a cathartic solution to problems. The developers seem like they're chuds as well, like deep in the weeds variety. They put that Milo Yiannopoulos guy in a DLC, voiced by himself.

I've played postal 2 as well and there is a very good reason why the only things that come out from that game is the "sign my petiton" level and Gary Coleman (as well as Rick Hunter's performance as the protagonist which most likely is why the game was popular in the first place).

The rest of the game is a time capsule incomprehensible to anyone who isn't a white teenager just after 9/11. Maybe it has some little value that way.

i dont know what the fuck i just saw when i went to whatever eyesore of a sub that "brigade incoming" link took me to, but the top comment is a snapshot of your comment and them attempting to dunk on it as though communism is literally about killing people and just taking their stuff

i forgot that this is literally as deep as chud analysis goes, also i'm sure they have no fucking idea who the were but if they're talking about the romanovs, fucking lol and also

"You are the chosen one of epic destiny and the main character. Everyone else is a disposable NPC."

In some ways, chuds caught up in "simulation theory" are trying to make the chud equivalent of Disco Elysium in the offline world, every day.

Do you have any idea how little that narrows it down?

The fascist idea of good writing is "says what the reader already wants to believe, and says it with a lot of words."

would you believe that reactionaries have no imagination?

get out of town.

yeah maybe just like an archive snapshot of newgrounds in 2003

The cryptofascist chuds that already linked to this thread on Reddit, according to another reply here, suggest that you're right.

This. It's pretending to be a realistic portrayal of a historical period, but all that means is no PoC and you're a commoner who can pull themselves up by their own bootstraps.

It had a toxic as fuck fandom and lots of "historical accuracy" pretenses that amounted to because the accents were all over the place and it got some downright fundamental details laughably wrong (yeah, kill one of a noble's guards and you'll totally just go to jail for a few days), but I wouldn't call it comprehensive chuddery.

Sim City and Cities: Skylines are made with very neoliberal assumptions of how cities work, especially the former. Prison Architect applies a lot of the same logic to a dorflike, where the "good" prisons are supposedly reforming people through prison labor and the cops are always on their best behavior - or you can run a brutal death row hellhole to fulfill a chud's radicalized revenge fantasies.

But iunno if there is really specifically a Disco Elysium of anything, it's like a step removed from a visual novel with light RPG elements. It's such a dense game of text that is very direct about what it is about, and there just aren't many games that are that overtly political and that challenge the player to reflect on their politics. Straight up fascist literature tends to be less thoughtful, basically violent fantasies that double as examples of praxis, calls to do violence. Their games tend to be even less sophisticated - Kingdom Come: Deliverance is an imagined (all white) past, the Postal games are just about killing people, the devs who made Hatred went on to make more bigoted shit. They're mostly just games that have a fascist mentality rather than games that'll sit a chud down and make them really think about fascism.

Which is good, obviously. The best RPG many critics have ever played is communist, this puts us at a unique position culturally.

There's other adventure games like DE; which military shooter truly defines the chud experience most comprehensively?

It's Cawadoody, isn't it?

The funniest thing about this is that Disco Elysium constantly makes fun of these strags that think communism will win by being whiny babies. It's a mix of 0 self awareness and no media literacy

"Therefore, fascism is based and billions of lolcows must die."

What is this shit?

"RETVRN isn't fascism at all though. Fascism is against traditionalism, it's a fundamentally socialist ideology."

The politics understanders are online, I see

Love how they somehow misconstrue Disco Elysium, a game largely written by communists, to be a condemnation of communism.

For people who harp about 'degraded modern art', they default to eyesore UI pretty frequently

Federation is literally just being a subreddit again

Here I was wading through to see if they had a chud game, and all I got was Disco Elysium