He's too old for it to be a reference but like... That's his actual name. Jan Six. I don't know how to process this.

Dr. Rachael Louise “Raygun” Gunn is a lecturer at Macquarie University, Australia, who has extensively studied and participated in the Sydney breaking (more commonly known as break dancing) scene. Her work has primarily focused on studying social dynamics in the breaking scene from feminist and queer perspectives: https://scholar.google.co.uk/citations?user=LLebtn8AAAAJ&hl=en&oi=sra. Gunn has also demonstrated outstanding ability in the breaking scene, having won numerous competitions across Oceania and garnering wide respect from other Australian breakers.
Gunn has also been widely reported as having a background in Jazz, Tap dancing, and Ballroom dancing.

I put it to you that Rachael Gunn is intimately familiar with breaking, to a much higher degree than most breakers, having both personal and academic experience with the scene. Her academic work breaking down elements of the scene indicate a detailed understanding of the moves, speech, social and cultural contexts, modes of dress, relationship with gender, and numerous other individual aspects. She also has a detailed understanding of her relationship to the scene, having written a paper titled The ethics of living a double life: rethinking ownership, authenticity, and identity in hip hop culture, and spoken in interviews of being white and middle class in a scene that grew from socially impressed minorities.

So how could someone with the demonstrated knowledge and ability of Raygun not score a single point at all, having reached the Olympics as the highest scoring competitive b-girl in Oceania? Indeed, Martin Gillian, head breaking judge at the Olympics, praised her performance, and she's received extensive support from the breaking community in defence of her routine, so a score of zero seems impossibly unlikely.

The inclusion of breaking at the Olympic games was a controversial topic ahead of its debut, primarily due to concerns over the corporatization and dilution of breaking culture inclusion would bring, and was widely criticised by the breaking community. One person who studied the divide in opinions was Dr Rachael L Gunn, who in 2023 published The Australian breaking scene and the Olympic Games: The possibilities and politics of sportification, which criticised the IOC and WDSF’s implementation and homogenisation of the scene. From the conclusion of the paper:

[...] the concerns are centred on the impact upon culture, and a potential loss of agency and self-determination. Isolated from neighbouring countries, and consisting of distinct, localized scenes guided by individual agents, top-down decision-making led by the WDSF already impacts the social organization, identities and hierarchies of respect within the Australian breaking scene.

While sport and the Olympics are framed as ‘great equalizers’, the exclusivity of Australia’s sporting institutions along gendered, class and racialized lines means that breaking’s sportification may in fact impact the accessibility of breaking. While the ABA aims to ensure that Australian breakers retain self-determination and agency through this Olympic process, there are many obstacles that come with the introduction of concepts like governance, transparency and accountability. Making global what is essentially a localized practice invariably requires standardization, homogeneity, professionalism and risks further moving breaking away from its African American and Latin cultural traditions and histories.

I put it to you that Raygun's olympic performance was in fact carefully calculated to show off breaking without meeting a single olympic criteria, as a protest against the inclusion of the sport, choosing to show breaking off as an artistic medium rather than athletic one. Using movements that were specifically contextual to Australia's presence in an international space, her performance was a criticism of the IOCs attempt to represent breaking as a gymnastic sport rather than artistic expression, and directly intended to sabotage the inclusion of breaking - and expected resulting gentrification of the scene - in the Olympics.
Currently it has been confirmed that the 2028 Olympic Games will not feature breaking, and there are currently no plans to include it in the 2032 Games.
Raygun wins.

Please commit to your words and actions. Commit to the fucking turn you were going to make right in front of me, before stamping on the brakes at the last second. Commit to a fight after challenging me on not risking my life around your shitty driving.

Do I "want to fucking go"? You have no idea how much I want to fucking go. I have to cycle around idiots like you all day, if you step out of your armoured wankmobile i am going to sink my teeth into your flesh and not let go. I will bite your flabby fucking tits off. I will beat you with my fists and helmet and entire fucking bike until a kind samaritan pulls over to drag me away from your limp body.

Anyway, if I ever mysteriously stop posting you should be able to dox me by googling "cyclist eats driver UK".

I originally found this single among my dad's collection as a 12 year old, just learning how to use his record player and having no idea what the switch labelled 33-45 was for. I still think the slow version is better - 0.75 speed on the player will get you close enough.
Anyway a couple of years ago I found out DJ Fresh had done the same thing on purpose around the same time, and somehow I never knew.

Why can't it be something fun like swapping surnames and then creating a portmaneau or blended name for the kids.

feat. Jim Jones.

• Obstruction
• Boiler #4
• Lightly Used 2008 Honda Accord
• Rémoulade
• Yorkie
• Lock

Do with them what you will.

YOU'RE NOT EVEN A LITTLE BIT CRITICAL OF GENDER YOU LYING FUCKS

Carburettor
Tasty
Bisque
Crime
Endoscope

Fresh out of the Scrabble game, get 'em while they're hot.

Looks like Palworld has established "game that shouldn't have guns (with guns)" as a genre, so what games are we looking forward to seeing the treatment? Animal Crossing with guns? Football Manager with guns? Disco Elysium with guns?

I've got competitive tree felling, log flume riding, and caber tossing. There's archery and boxing/wrestling. There's chess, there's a pie eating competition, even an obstacle course.

That gives me all the mechanics I'm interested in settling the players into immediately - ranged and melee attacks, skill checks, saves, skill challenges, and roleplay - but I need more fun side bits to help set the scene. There's food stalls, a bar, a little gambling, and I'm probably going to have a children's storytime place the players can go and make up wild tales, but what other kinds of flavour do you pepper around your festivals for the players to interact with?

The campaign is Abomination Vaults for anyone with setting specific ideas.