this post was submitted on 02 Feb 2024
114 points (100.0% liked)

the_dunk_tank

15914 readers
8 users here now

It's the dunk tank.

This is where you come to post big-brained hot takes by chuds, libs, or even fellow leftists, and tear them to itty-bitty pieces with precision dunkstrikes.

Rule 1: All posts must include links to the subject matter, and no identifying information should be redacted.

Rule 2: If your source is a reactionary website, please use archive.is instead of linking directly.

Rule 3: No sectarianism.

Rule 4: TERF/SWERFs Not Welcome

Rule 5: No ableism of any kind (that includes stuff like libt*rd)

Rule 6: Do not post fellow hexbears.

Rule 7: Do not individually target other instances' admins or moderators.

Rule 8: The subject of a post cannot be low hanging fruit, that is comments/posts made by a private person that have low amount of upvotes/likes/views. Comments/Posts made on other instances that are accessible from hexbear are an exception to this. Posts that do not meet this requirement can be posted to !shitreactionariessay@lemmygrad.ml

Rule 9: if you post ironic rage bait im going to make a personal visit to your house to make sure you never make this mistake again

founded 4 years ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
[–] EmmaGoldman@hexbear.net 14 points 9 months ago

Even worse: the show is 8 episodes per season. Impossible to tell a story in this time frame, streaming media's constraints are making for awful content with bad pacing. The overall length of a Netflix Season is too long for a film, and too short for a full season show. The premium tv episode length often also makes for episodes that are either trying to pack in a movie run time of content into half the time or more commonly to pad a standard network length episode into twice the time.

I think the only way to use this to make good content is to make your Netflix Seasons just be part of a season like Season 1: Part 1 and Season 1: Part 2, or to shoot for telling your actual story arc over the course of many seasons, each one being a chunk of the main story circle with a tiny mini side adventure loop built in.

I think two good examples of how to use the Netflix production/distribution cycle in these ways are Inside Job and Lupin, both of which seem to be canceled earlier than expected.

The Netflix model cannot successfully produce narrative driven content, because its format is too long for a for a movie, too short for a show, while also being too expensive for a show budget and not budgeted enough for a movie. It leads you to either make a mediocre spectacle or to have to spread your content out over multiple seasons.

Netflix will always betray you at a number of seasons other than your target, and having gaps of time between episode drops means you have to always make each mini-season feel partially complete but also not entirely complete in case you get renewed.